History tells us that Arabs went from place to place either for trade or propagation of Islam, or both, or for seeking knowledge. During these travels, they needed more frequent places of rest than the towns and villages could provide.

These ancient desert caravans used to stop at specially built inns called caravanserais (also called khans). Arabs also came to India for trade and they needed such inns on a regular basis.

There are no vestiges of such inns anywhere – except one in New Delhi called Arab Ki Sarai within the premise of Humayun’s Tomb Complex on Mathura Road, which was in a dilapidated state.

The sandstone necropolis of Mughal dynasty, the Humayun’s Tomb built in the 1560s, is one the finest specimen of Indo-Islamic architecture.

Restored to old glory

The Aga Khan Trust for Culture (AKTC), which focuses on the physical, social, cultural and economic revitalization of communities in the developing world, has recently restored this Arab Ki Sarai to its pristine glory.

Just before restoration, the evocative gateway of a walled enclosure built in the 17th century by Hamida Banu Begum was one of few reminders of sturdy, walled roadside caravanserai compound that were in vogue in those bygone days.

Arab Ki Sarai now sports a fresh look having retained the old elements. (Supplied)

The lofty eastern gateway of a walled enclosure built in the 17th century – which was originally a market built during Jahangir’s reign alongside Arab Ki Sarai, Nizamuddin East – now sports a fresh look having retained the old elements.

Arab Ki Sarai has a central arch flanked by projecting balconies that are supported by carved brackets. This 13 meter-high, five-arched gateway, topped with battlements is two-bay deep. It also has chambers and a domed roof flanked by niches on both sides.

The spandrels are ornamented with detailed tile work and medallions bearing Quranic inscriptions. The niches were almost getting dismembered from the main structure and needed repair badly while the area was full of green moss and wild vegetation.

All these now been taken care of by the Aga Khan Trust for Culture (AKTC), which began restoration work in January 2017.

Quranic inscriptions

According to Ujwala Menon, AKTC’s conservation architect, several cracks allowed water penetration resulting in dampness and salt deposits. “Quranic inscriptions got hidden under the layer of cement plaster, tiles were missing and portions of the roof of the gateway had collapsed,” says Memon.

Menon says sadly, not all of the artwork could be restored as evidence had been lost. “As a result, central ceiling medallion had to be left blank. Some of the newspaper articles dating back to 1960s suggest that its walls were adorned with paintings but that could not be restored,” she says.

The Aga Khan Trust for Culture (AKTC) has restored this Arab Ki Sarai to its pristine glory. (Supplied)

 

We learn from the pages of history that the high gateway that served as the southern entrance of the Arab Ki Serai – built to accommodate the 300 craftsmen whom Hamida Banu Begum, had brought with her on her return from pilgrimage to Mecca now adorn a graceful look after restoration.

These craftsmen were involved in the building of Humayun’s Garden-Tomb. Conservation works included conservation of the main wooden doorway, conservation of the stone façade, reconstruction of the partially collapsed entrance chamber, conservation of the chambers at ground floor.

Pages from history

Author Mirza Sangin Beg, writing in a Persian book Sair-ul-Manazil (Tulika Books) in the 1820s, refers this inn as “property of Arabs and other general populace.”

Author Ranjan Kumar Singh – in his book The Islamic Monuments of Delhi – writes that the Arab Ki Saraiconsists of a large enclosure adjoining the south-west corner of Humayun’s tomb. It is divided by two quadrangles by a series of cells provided with a gateway in the center.

Immediately outside its lofty eastern entrance approached by a gateway from the east, with traces of paintings on its underside, is the second quadrangle, originally bounded by arched cells, which is known as the mandi (market) which was added by Mir Banu Agha.

Courtesy: english.alarabiya.net

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New Delhi, Dec 11: The Supreme Court said on Tuesday that if there is a "common thread" among the murders of social activists Narendra Dabholkar, Govind Pansare, journalist Gauri Lankesh and rationalist M M Kalburgi, then one agency can investigate all the four cases.

A bench of Justices U U Lalit and Navin Sinha asked the CBI to inform it by January first week as to why it should not investigate all the four cases if there appears a link among all the murders.

The counsel for the Maharashtra government informed the court that the CBI is investigating the murder cases of social activist and professor Narendra Dabholkar after the Bombay High Court transferred the probes to the agency.

The court, after perusing the status report of the Karnataka Police, said there appears to be a link between the murders of journalist Gauri Lankesh and rationalist M.M Kalburgi.

It asked the Maharashtra government's counsel about the status of the investigation into the Pansare murder case, to which the counsel said the case was pending before the Kolhapur trial court.

Earlier in the day, the Karnataka Police had informed the apex court that there appears to be a connection between Lankesh and Kalburgi murder cases.

The state police also told the apex court that it will file a chargesheet in the Kalburgi murder case in three months.

Noted scholar Kalburgi was killed at Dharwad in 2015. Pansare was also killed the same year. Lankesh was shot dead on September 5, 2017 in Bengaluru, whereas rationalist Dabholkar was assassinated on August 20, 2013.

The top court on November 26 had pulled up the Karnataka government for "doing nothing and just fooling around" in the investigation and had indicated that it may transfer the case to the Bombay High Court.

The top court had on January 10 sought the response of probe agencies NIA and CBI and the two state governments on the allegation of Uma Devi that no substantial investigation has been carried out so far in the murder case.

Kalburgi's wife, in her petition, had alleged that there was common link between the murder of her husband and that of activists Narendra Achyut Dabholkar and Govindrao Pansare, who too were assassinated in August 2013 and February 2015 respectively.

The 77-year old Kalburgi, the former vice chancellor of Hampi University and a well-known epigraphist, was shot dead in broad daylight at his residence in Kalyan Nagar in Dharwad, Karnataka, on August 30, 2015. Born in 1938, he was a Sahitya Akademi award-winning writer of old Kannada literature.