Eradicate Hunger to be Free of Diseases
This is not the first time that hunger has become newsworthy in India. In post-independent India, though all governments launched a war against hunger, each time hunger won the war. Right from Indira Gandhi’s ‘Garibi Hatao’ to Vajpayee’s ‘Roti Aur Kapda’, political parties have used the promise of hunger eradication for electoral gains. Realizing that it is difficult to mobilize votes around the issue of hunger, the BJP used other emotional issues to reap electoral gains. With political parties understanding that it is easy to win elections by spreading hate instead of distributing food, ‘hunger’ moved to the bottom of the list of priorities of manifestos of political parties. With those claiming to have distributed food to the poor at low prices losing elections and those citing ‘Ram Mandir, Pakistan, Patel statue’ winning elections, governments progressively started reducing funds allocated to the poor.
As a result, the world’s tallest statue has raised its head in the country. Speedy projects are being planned for bullet trains. The foundation stone has been laid to build the Ram Mandir. Preparations are now on to bring to the forefront the controversy around the Krishna temple. All this is being done using the media to make people believe that the country is moving towards becoming a world leader. At the same time, India has performed poorly in the Global Hunger Index (GHI). Last year if India was ranked 102nd in the GHI, this year it has improved its position to the 94th rank. Ironically, neighboring Pakistan is in the 88nd rank. The increase in the number of the hungry people in India has surpassed that in Pakistan. The report has also shown that India’s performance is worse than Bangladesh’s. During the UPA administration, malnutrition rates in India had crossed 45 per cent. Now, under the leadership of Prime Minister Narendra Modi, hunger continues its unstoppable victory march.
The moment India’s poor performance in GHI was announced, several experts started criticizing the government’s neglect towards malnutrition. And as usual, the government is blaming ‘Coronavirus’ for its failures. But the truth is beyond that. For the last ten years, all government programmes have focused on the rich. With the belief that the prosperity of the corporate sector translates to the prosperity of the country, the government has forgotten that the poor are part of the country’s development. This government has adopted global attention and investments in mega projects as its development criterion. The massive Patel statue and bullet train projects are a part of this agenda to attract global attention. Demonetization, GST, and lockdown have weakened the foundation of the Indian economy. The government’s wrong decisions destroyed rural industries, medium sized industries, and the retail economy. Digitization and Aaadhar card deprived the poor of the welfare benefits provided by the government and it became impossible for some of them even to avail themselves of the Public Distribution System (PDS) food grains. The stories of those who died having been deprived of rationed food as they had no Aadhar card were splashed on the front pages of newspapers. With a faulty and inefficient PDS, the government’s new rules directly affected the poor.
Now, the government is citing the excuse of ‘Coronavirus’ for everything. The government is hiding the fact that hunger has been drastically increasing right from the days of demonetization. Natural calamities and epidemics are not new to the world. If the country had cared for its poor, designed the PDS efficiently, prioritized eradication of hunger, the nation need not have feared the Coronavirus. Even when the country was in a state of shock due to the hunger caused by the lockdown, the food grains in godowns were diverted for the purpose of producing sanitizers instead of reducing hunger. Experts have warned that hunger can trigger other diseases even if the Coronavirus disappears from our midst.
Doctors have already said that the Coronavirus is a disease that can spread to others quickly but it is not a deadly virus. If tuberculosis and Coronavirus diseases are compared, a country like India must fear tuberculosis more. The World Health Organization (WHO) said on Wednesday that the Coronavirus can destroy the country’s progress in the eradication of tuberculosis in the country. The WHO has expressed anguish that countries like India and South Africa that are most impacted by tuberculosis are diverting the funds allocated for tuberculosis for its battle against the Coronavirus. Even if Coronavirus ceases to exist, India’s health problems will not end. In the future, tuberculosis could become a huge problem due to two reasons. One, with the funds allocated for tuberculosis getting diverted to other services, accessing medicines and treatment would become increasingly difficult for those with tuberculosis. Two, with malnutrition the most important contributing factor for tuberculosis, increasing hunger could aggravate the problem of tuberculosis.
In such a situation, the government should change its dual stand with regard to the consumption of beef that has the benefit of offering maximum proteins. People affected due to the lack of food and suffering hunger pangs should have easy access to beef. The rest can be exported. The government’s acceptance of the consumption of beef as an integral part of the food system can lead to the reduction in malnutrition. The criterion for the identification of the poor should change. Comprehensive changes should be made in the distribution of food grains to make sure that food grains reach eligible families instead of letting them rot and consumed by worms in depots. The government should immediately understand that diseases can be won by winning over hunger. Otherwise, forget becoming a world leader, India might become a problem to the world due to the continued spread of diseases such as tuberculosis.
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Shah Rukh Khan, Kajol unveil ‘DDLJ’ sculpture at London’s Leicester Square
London (PTI): Bollywood stars Shah Rukh Khan and Kajol huddled under an umbrella on a rainy Thursday in London to unveil their bronze likeness from an iconic ‘Dilwale Dulhania Le Jayenge’ scene.
The sculpture of the duo joins Leicester Square’s ‘Scenes in the Square’ trail depicting memorable shots from some of the world’s most famous films, with ‘DDLJ’ marking a Bollywood first and the 30th anniversary of the 1995 box-office hit. It is in this popular London square that SRK as Raj and Kajol as Simran first cross paths unknowingly.
“DDLJ was made with a pure heart. We wanted to tell a story about love, how it can bridge barriers and how the world would be a better place if it had a lot of love in it, and I think this is why 'DDLJ' has had a lasting impact for over 30 years now," said Khan.
“Personally, 'DDLJ' is part of my identity, and it is humbling to see film, and Kajol and me, receiving so much love since it was released,” he said.
He expressed his gratitude to the Heart of London Business Alliance, behind the cinematic trail at Leicester Square, for celebrating ‘DDLJ’ and “immortalising” its lead stars.
“Seeing ‘DDLJ’ become the first Indian film to be honoured in the iconic Scenes in the Square trail is an emotional moment and has brought back so many memories.
"I feel immense pride knowing the film has been embraced around the world, and I want to share this moment with the entire cast and crew of ‘DDLJ’, my friend and director Aditya Chopra and the Yash Raj Films family. This is a moment I will never forget,” added Khan.
Kajol, joined by her daughter Nysa and son Yug, posed with Khan in front of the statue as she braved the rain in a green saree.
“It’s incredible to see ‘Dilwale Dulhania Le Jayenge’ continue to receive so much love, even 30 years later. Watching the statue being unveiled in London felt like reliving a piece of our history - a story that has truly travelled across generations,” said Kajol.
“Seeing it find its rightful place in Leicester Square, a location of such enormous significance to ‘DDLJ’, makes this moment even more special. For the film to be honoured in this way in the UK – the first Indian film to receive such recognition – is something that will forever stay in the hearts and minds of all the ‘DDLJ’ fans across the world,” she said.
Their statue, captured in a dancing pose from the hit song ‘Mehndi Laga Ke Rakhna’, joins the likes of Harry Potter, Bridget Jones, Mary Poppins, and Batman in what is dubbed as an ever-growing celebration of movie magic in a square packed with multiplex cinema screens.
“When ‘Dilwale Dulhania Le Jayenge’, DDLJ, was released 30 years ago, the film became a defining moment for Indian cinema and changed the face of the industry, capturing the hearts of everyone who saw it all over the globe," said Akshaye Widhani, CEO of Yash Raj Films.
“We’re thrilled to be the first Indian film to be represented in ‘Scenes in the Square’. It also marks 30 years of DDLJ, a film that has spread love and joy globally, and shows the cultural impact it has had in UK.
“We are honoured that our superstars and our film are being recognised on the world stage alongside the Hollywood elite, from Gene Kelly to Laurel & Hardy to Harry Potter. This statue will be a great way to express the international appeal of Indian movies and build bridges amongst communities through cinema,” he said.
Since its release in 1995, ‘DDLJ’ has become the longest-running film in Hindi cinema history.
Ros Morgan, Chief Executive at Heart of London Business Alliance, said: “We’re proud to welcome global megastars Shah Rukh Khan and Kajol to our Scenes in the Square trail.
"Dilwale Dulhania Le Jayenge is a cinematic phenomenon that has shaped generations, and London’s first tribute to Indian cinema honours a story whose magic continues to captivate audiences worldwide.”
It is a particularly special year for the film, with a musical based on the romance playing to packed houses at Manchester’s Opera House earlier this year. Aditya Chopra reprised his role as director of the English language stage production, ‘Come Fall In Love – The DDLJ Musical’, which revolved around the love story of Simran and Roger.
The script was a nod to the original as it followed Simran as a young British Indian woman who finds herself engaged to a family friend in India in an arranged marriage. However, the plot thickens when she falls in love with a British man named Roger.
Bade Bade Deshon Mein, Aisi Chhoti Chhoti Baatein Hoti Rehti Hain, Senorita!
— Shah Rukh Khan (@iamsrk) December 4, 2025
Thrilled to unveil the bronze statue of Raj & Simran at London’s Leicester Square today, celebrating 30 years of Dilwale Dulhania Le Jayenge (DDLJ)!
Incredibly delighted that DDLJ is the first Indian… pic.twitter.com/8wjLToBGYc
