The trap of fake news
Since the last two days, there is a news from Kerala that’s making rounds across the social media. The tweet titled as ‘Hindu woman brutally attacked, and god’s statue desecrated in Kerala’ has originated from Shanknaad. ‘Why is Bollywood silent over this?’ is the next query put up by this originator of the news. The same Shankhnaad had tweeted a very instigating and provocative message during Kathua rape case stating Hindu temples were being destroyed in the region when people took out a march demanding justice for the little girl raped and murdered. Ironically enough, a lot of ‘important’ and ‘prominent’ people in the society have responded to this tweet. General public is comparing the fake news of vandalizing of Hindu temple against the Kathua rape case, to debate on ‘secularism’ being the weakest link. This tweet is used to defend unimaginable arguments on the social media. It’s vileness is unbelievable.
But tragically and ironically enough, this news and images of a woman being attacked is not even a news from India. The fake news buster website ‘Alt News’ published that this story is fake and put out an article exposing the origin of this story. It was shocking. Shankhanaad has used the news and images/pictures of a woman being attacked in Chittagong in Bangladesh. It is more than six months old.
This lady, the resident of Bangladesh was being attacked by her neighbours Pradeep Ghosh and Biswajeet. They had barged into her house to assault her, and had harmed the Gods’ idols and other holy articles she had kept in her house. This news was published in Bangladeshi facebook page.
The team Shankhnaad, took this news and turned it around to suit its vile narrative to mislead the people who believe just about everything that gets circulated on the social media. A group called ‘We support Narendra Modi’ had shared this widely too. Shankhnaad is known for its appetite of generating and sharing fake news. Their fake news stories often get deleted if people call out their fake news game in large numbers. By then the news would have travelled far and wide.
Some groups are sharing this incident that occurred in 2015, and are linking this to something more gruesome that happened now. A news about a girl called ‘Geetha’ being raped is being circulated now. However, there has been no official confirmation yet on this incident. After the Kathua rape case, even the most secular and progressive minds are sharing this news, responding to it and are falling into the trap created by the radical forces. In the recent times, a website called ‘Post Card’ was also in news for the same reason. It had tried to create unrest in the society by convoluting the news of a jain monk injured in accident, as that of a monk being attacked by Muslims.
A case was registered against the owner of Post Card, he was arrested and later released. But ironically enough, leaders of a particular party stood by him, defended him and called it an attack on the freedom of press. Among those who defended Post Card was Mysuru-Kodagu Member of Parliament Pratap Simha. In just three days after he openly defended Post Card, Pratap Simha was made member of committee which was to be the watch dog of the media. The situation is now very conducive for anyone to create and circulate fake news. A few outfits that are closely linked with political forces are carrying out this work in connivance with the radical organisations that already exist. They work in tandem with fake news sites like Post Card, Shankh Naad etc. Their main agenda is to diver people from more important issues where the government is failing. On one hand Modi government has been unsuccessful in delivering a good administration. The effect of note ban still continues to haunt people. People are not getting money in the ATMs. Petrol and diesel rates are skyrocketing day by day. And during times of distress such as this, fake news generating and circulating sites have the main job of diverting people’s attention from basic things such as livelihood, to a sense of feeling communally insecure.
India lost good reputation after Kathua incident occurred. Our country had to lose its face before other countries and international agencies. People condemned it across gender, religion and faith. This incident was denounced not because it was a case or rape alone, but for the obvious seeds of communal disharmony it carried in itself.
Some lawyers taking to streets to defend the accused, and people’s harsh criticism to this; prompted sites like Post Card and Shankh Naad to create and circulate fake news. Their intention was to silence the protests by way of raising questions like ‘why are the Kathua sympathizers not criticizing this?’
Not only that, they even tried creating a narrative that the girl was not raped at all in Kathua case. All this was a part of creating a supporting space, among people for the rape accused. Prime Minister Narendra Modi has already announced a vigilance committee to check the circulation of fake news. Though Shankh Naad and Fake News are spreading lies and canards at the drop of a hat, the committee has displayed a very selective blindness towards them. Because all these lies and baseless rumours help the Sangh Parivar and the current party that’s in power in the centre. Hence, the government is also being blind to this.
At the same time, those members of media who went to bust the fake news and rumours are being hounded by the government. For all these reasons, just as the media needs to have its own regulatory mechanism to check the genuinity of the news, even the readers need to apply the same to their discretion.
The alert citizens need to check the veracity of whatever news is circulated in the social media before believing it or circulating it further. The social media today is a massive khedda of fake news. And the casualties would be everyone who consumes it and circulates it. Sometimes even the most alert citizens may suffer owing to this. Hence it is everyone’s duty to fight against such divisive forces to keep the society healthy and safe for our children.
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Screenwriter Salim Khan on ventilator support and stable, say doctors
Mumbai (PTI): Veteran screenwriter Salim Khan suffered a brain haemorrhage which has been tackled, is on ventilator support as a safeguard and stable, doctors treating him said on Wednesday, a day after he was admitted to the Lilavati Hospital here.
The 90-year-old, one half of the celebrated Salim-Javed duo which scripted films such as "Sholay", "Deewar" and "Don" with Javed Akhtar, is in the ICU and recovery might take some time given his age.
"His blood pressure was high for which we treated him and we had to put him on a ventilator because we wanted to do certain investigations. Now the ventilator was put as a safeguard so that his situation doesn't get worse. So it is not that he is critical," Dr Jalil Parkar told reporters.
"We did the investigations that were required and today we have done a small procedure on him, I will not go into the details. The procedure done is called DSA (digital subtraction angiography). The procedure has been accomplished, he is fine and stable and shifted back to ICU. By tomorrow, we hope to get him off the ventilator. All in all, he is doing quite well," he added.
Asked whether he suffered a brain haemorrhage, the doctor said, "Unko thoda haemorrhage hua tha, which we’ve tackled. No surgery is required.
As concern over Khan's health mounted, his children, including superstar Salman Khan and Arbaaz Khan, daughter Alvira, and sons-in-law Atul Agnihotri and Aayush Sharma, have been seen outside the hospital along with other well-wishers. His long-time partner Akhtar was also seen coming out of the hospital.
Khan, a household name in the 70s and 80s, turned 90 on November 24 last year. It was the day Dharmendra, the star of many of his films, including "Sholay", "Seeta aur Geeta" and "Yaadon Ki Baraat", passed away.
Hailing from an affluent family in Indore, Khan arrived in Mumbai in his 20s with dreams of stardom. He was good looking and confident he would make a mark in the industry as an actor. But that did not happen. And then, after struggling for close to a decade and getting confined to small roles in films, he changed lanes.
He worked as an assistant to Abrar Alvi and soon met Akhtar to form one of Hindi cinema's most formidable writing partnerships. They worked together on two dozen movies with most of them achieving blockbuster status.
Other than "Sholay", "Deewar" and "Don", Khan and Akhtar also penned "Trishul", "Zanjeer", "Seeta Aur Geeta", "Haathi Mere Saathi", "Yaadon Ki Baarat" and "Mr India".
