Mumbai, Apr 12 (PTI): “Phule”, based on the lives of social reformers Jyotirao Govindrao Phule and his wife Savitribai Phule, has been delayed due to objections raised by the Brahmin community and not because of the censor board suggested amendments, the film's director Ananth Mahadevan said on Friday.
The biopic, featuring the “Scam 1992” star Pratik Gandhi in the central role and Patralekhaa as his onscreen wife Savitribai Jyotiba Phule, was set for release this Friday but it will now arrive in theatres on April 25.
The Central Board of Film Certification (CBFC) had issued ‘U’ certificate to the makers on April 7 and had asked them to make changes like removing terms such as 'Mang', 'Mahar' and 'Peshwai', the visual of 'man carrying a broom' was to be replaced with 'boys throwing cow dung balls at Savitribai', and the line ‘3000 saal purani gulami’ to be modified as ‘Kai saal purani’, among a few other things.
"They had suggested some amendments, I wouldn’t call it cuts. I want to clarify that there are no cuts as such. We did so. They felt that the film should be watched by youth and everyone and it’s very educative. I don’t know why this whole storm of conflict and counter arguments are happening, I think it's a little exaggerated and unnecessary,” Mahadevan told PTI.
After the trailer was unveiled online on April 10, some members from the Brahmin community raised objections stating that they’ve been portrayed in poor light.
Maharashtra-based organization Hindu Mahasangh's President Anand Dave expressed his displeasure after watching the trailer of “Phule”. He said it is unfair to only “highlight the not-so-good things” about the Brahmin community.
"The trailer shows a Brahmin boy throwing cow dung at Savitribai Phule. We understand that we need to show the good and the bad. But we can’t see the good things done by the community, like how Brahmin people supported Mahatma Phule. It is unfair to show only the bad things done by Brahmins.
"If they want to earn money by showing casteism, then it’s not right. People across India and globally will not think of the Brahmins in a good way. When we expressed our disappointment to Ananth Mahadevan he said, ‘He has not done any injustice to the community, and has sought 15 days of time from us’,” Dave told PTI.
Mahadevan asserts the “Brahmins got carried away by a two-minute trailer” but there is nothing objectionable in the movie.
“I’m a Brahmin myself, and I would not malign my community. I want everyone to calm down and understand that we’ve made a film that is supposed to inspire and change. When they see the film they will understand but all this can’t be shown in a two-minute trailer, we can only show dramatic snippets,” he said, adding that there was no plan to show the movie to the Brahmin community before its release.
Mahadevan said the reason behind the release of “Phule” being pushed is to clear the controversy surrounding the film
"They had put their views on social media and then other people also said, ‘Why are Brahmins protesting? The protest started between two groups, we wanted to calm them down, and tell them that, ‘It has nothing what you people are imagining’.
"We did not want to lose out on the audience... I would rather they come together and see the film peacefully. So, the producer and the distributor got together and thought, ‘Let’s postpone it for two more weeks and clear all the controversies, talk to the media and let it reach them’.”
A social media user expressed his disappointment about how films based on caste issues like “Phule”, and “Santosh” face hurdles.
“Movies on figures like #Savarkar or #SambhajiMaharaj get released without much resistance. Films glorifying so-called great Savarna icons face no hurdles, but when it comes to movies like #Phule or #Santosh—which aim to show the harsh realities of caste discrimination—they are constantly met with opposition, delays, or outright censorship.
"The irony is painful: the same casteist hypocrites who suppress these stories are the ones who claim that casteism no longer exists in India, their actions speak louder than their privileged denial,” the post read.
Another user, who is a screenwriter, wrote, “For anyone who wonders why it is almost impossible to make a good and truthful Hindi film, what is happening with the Phule film is an excellent example."
“Phule” is backed by Content Engineers and Dancing Shiva Productions.
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Karwar: Uttara Kannada police have cracked a murder case in which a Belagavi youth was killed and his body burnt inside a car to make it appear like a road accident.
Addressing a press meet in the city, Superintendent of Police Deepan M.N. said three accused from Old Hubballi have been arrested in connection with the case. The crime was a pre-planned act driven by personal enmity, he said.
The case came to light on April 8 morning when a car (KA-04/MJ-8996) was found completely burnt in a roadside ditch near Talekumbri bus stand in Yellapur. Only charred human remains were found inside the vehicle. Initially, it was suspected to be an accident caused by overspeeding, and a case was registered at Yellapur police station based on a complaint filed by the deceased’s father, Jagannath Dhapale.
However, the father later expressed suspicion that his son’s death was not accidental, prompting a detailed investigation.
Taking the matter seriously, two special teams were formed under the leadership of Yellapur Inspector Ramesh Hanapur. On analysing technical evidence and CCTV footage, police found that it was a planned murder.
The accused have been identified as Abdul Raheem Basheer Ahmed Mujawar (32), Maulasab Bavahan Wada (36) and Dadapeer alias Aftab Mehboob Saab Balasangi (22), all chicken traders from Old Hubballi.
Police have seized the car used in the crime along with two scooters. The accused have been remanded to judicial custody.
Investigations revealed that the accused killed Nitesh Dhapale due to personal enmity and later set the car on fire along with the body to project it as an accident.
SP Deepan M.N. appreciated the efforts of Inspector Ramesh Hanapur, PSIs Rajashekhar Vandali and Siddappa Gudi, and the entire team for solving the complex case.
