Rapper Santy Sharma Supports Badshah Amid Song Controversy
Rapper Santy Sharma has ruffled some feathers on social media again after posting about how theatrics work when it comes to rap music and rap artists in India. In a social media post, he discussed the issue of rap artists using their competition's names in their lyrics; this is typical of hip-hop culture. In India there are still many listeners who do not understand this type of art form, which leads to confusion regarding controversial visuals/lyrics included in rap songs.
Sharma referenced situations with well-known artists such as BADSHAH when pointing out that many times, Where usually audio songs will be made before video and the video. There is also no guarantee that an artist is fully aware of the direction his music video will be taken along with the idea that if any lyric in a song is thought to be problematic then simply correcting or updating that lyric should be sufficient to avoid being judged for any length of time based on their entire creative process.
https://www.instagram.com/p/DVymGUIiSw5/
Recently Santy Sharma's comments have generated quite a bit of attention already due to his previous outspoken words. He has recently been vocal about actress/influencer Khushi Mukherjee posting any bold/revealing material on social media and has stated he thinks these types of images may influence the younger generations that utilize digital platforms. His comments drew a wide range of reactions from users online - many were in favour of the need for more responsible images and some felt his comments were controversial.
In addition to the social media debate, Santy Sharma also made some remarks regarding the controversy surrounding the title of Manoj Bajpayee's upcoming film “Ghooskhor Pandat” and how the film's title could potentially be offensive to certain cultural groups. He went on to express that filmmakers need to be cautious when coming up with titles that could create social unrest. His comments added onto the much larger context that has surfaced regarding the title of that film.
Sharma is known for sharing his views on current events affecting culture and society. Despite receiving mixed reviews, Sharma continues to be a major talking point with regard to the development and growth of independent hip hop in India.
Santy Sharma is an Indian hip-hop music artist who has a reputation for making independent music and having an outspoken view on social issues and cultural issues. Santy was born in Ratlam, Madhya Pradesh. He started off as a small town artist and was the first rapper from Madhya Pradesh to create a Hip Hop career through building his name in a small city and becoming one of the first rappers to represent Madhya Pradesh.
Santy has been around for many years releasing many songs that have displayed his many different styles of rapping. He released his first album "Reborn" in 2025 and he made his Bollywood debut in the film "Housefull 5" where he wrote and performed an anthem rap song for Sajid Nadiadwala. Santy has a reputation for being very bold in his lyric's and very opinionated in his support of trends on social media and cultural issues. Santy Sharma is continuing his journey into the independent hip-hop music industry in India. He recently released his song "I Don't Care" that has gone viral in India at this time.
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Late flourish masks CSK’s batting woes on lively Chepauk track, hosts post 158/7
Chennai (PTI): Bowlers calling the shots in a format dominated by big hitters is a rarity, but that script played out at Chepauk on Sunday as Gujarat Titans exploited a lively, bounce-friendly surface to stifle Chennai Super Kings before the hosts managed a late flourish to reach 158 for 7.
On a pitch that offered sharp carry, stroke-making demanded discretion and adaptability. Instead, CSK’s batters often opted for high-risk shots without fully assessing conditions, and paid the price with a flurry of miscued dismissals.
Invited to bat, CSK never quite found rhythm but skipper Ruturaj Gaikwad’s maiden half-century (74 not out) of the current IPL season lent a semblance of respectability to the total in a season where 200-plus scores have become commonplace.
Gaikwad's knock came off 60 balls with six fours and four sixes after a laboured start.
The tone was set early by GT pacer Mohammed Siraj, who extracted steep bounce and forced errors.
Sanju Samson (11) began watchfully, negotiating the first over before opening up against Kagiso Rabada to bring up his 5000 IPL runs milestone. However, Rabada’s bounce soon accounted for him as a hard slash outside off resulted in a faint edge that Jos Buttler pouched safely.
The dismissal triggered a collapse. Urvil Patel (4) fell in the same Rabada over attempting an ambitious pull, while Sarfaraz Khan (0) succumbed to Siraj’s extra lift, mistiming a short ball to offer a simple catch.
At 28 for 3 inside the Powerplay, CSK were already in trouble.
Gaikwad and Dewald Brevis (2) needed to rebuild, but the latter’s impatience against spinner Manav Suthar led to his downfall, holing out after failing to get to the pitch of the ball.
The mounting wickets forced Gaikwad into a shell — an approach that, while understandable, further stalled the momentum. His reluctance to improvise allowed dot balls to pile up, with CSK reaching 50 only in the 12th over.
The skipper eventually broke free, taking on Arshad Khan and Jason Holder with a couple of towering sixes, but the acceleration came too late.
Shivam Dube, dropped thrice on 6, 11 and 22, struggled for fluency before Arshad cleaned him up.
Kartik Sharma (15) and Jamie Overton (18) provided late impetus with a few lusty hits, but the damage had already been done.
On a pitch that rewarded discipline and smart shot selection, Titans' bowlers executed their plans to perfection, while CSK’s batters failed to read the conditions in time, a lapse that ultimately defined the innings.
