Kader Khan: A man that Bollywood forgot too soon
Veteran actor of Bollywood Kader Khan has breathed his last. Today's generation identifies him only as an actor of comedy genre. There was a time when Govinda and Kader Khan made for a superhit pair. Their roles would be created on the lines of popular cartoon series such as Tom and Jerry. Those roles used to be very powerful such as son-in-law and father-in-law, or son and father where the characters would hey into direct competition with each other in performance. Shakti Kapoor also entered into the completion equation sometimes.
Kader Khan who breathed his last in Canada on Dec 31, was a very popular actor of hindi cinema in 1990s. His pairing with Govinda or Shakti Kapoor would be a sure way of getting more comic relief into the cinema. Banarasi Babu, Hero No 1, Haseena Maan jaayegi and other films may not be his best performances, but they sure we're hits of their times. He had not only acted in more than 300 films, but had also written dialogues for more than 200 films. He had deep knowledge in classics of the world so that he could even hold lengthy discussions on them.
But looks like Bollywood was only amused by the daffy acting of this creative man. The field did not want the most creative writer and thinker who could have enriched the field with his knowledge. If he ever included some parts of good literature into the dialogues he wrote, the directors often rejected them and asked him to write perhaps the double entendre dialogues that would be relished by the young generation. Khader Khan used to be very disappointed about this. He had used the 'street style’ language for Amar Akbar Anthony for Amitabh Bachchan’s Anthony Gonsalves’ character when the film was made in 1977. He had later regretted that he even brought that language into circulation in the film industry. But he was very proud of the language he had employed for Akbar's role that was performed by Rishi Kapoor. People had loved Bachchan's role though where he says people run only two times, when there is a Olympic race or policie case.
These dialogues had been a superhit among young people. It would be significant to note that Khader Khan grew up in the red light area of Mumbai, known as Kamathipura. Even then, his family had succeeded in protecting him from the ill effects of the surrounding areas. He reminisced often about entire streets occupied by sex workers, another street was occupied by hijras and the adjoining street had bars and alcohol shops along with places for gambling. Khader Khan often saw sex workers running their business with great acumen.
As a child, Khader Khan was inspired by the works of Russian and Indian writers. Sadat Hasan Manto was his favourite writer. Khan came from theatre background. He was a Mathematics professor by profession. But his interest lie in acting and performing. He entered film industry through Dilip Kumar. He got to play a small role in Yash Chopra's Daag in 1973. Yet, IMDB lists Roti as Khan's first film which was made in 1974. Saleem Javed pair were ruling the dialogue writers world in Bollywood in 70s. They would offer a proper package to the directors such as story, screenplay and dialogue all done together by the duo. This meant Kader Khan got to work on very few films. But the film Amar Akbar Anthony opened the doors of fortune for Khader Khan.
He had written for Desai's films such as Parvarish, DharmaVeer, Suhaag, Naseeb and Coolie. He became the most sought after writer in 70s and 80s. Along with writing for films, he had also gained good reputation in anti-hero roles as well. After brand Govinda began to fade, Khader Khan also began to lose market. He was the first one to identify the growing intolerance in this country. He has even voiced his opinion against it. He brought out a book on the peace-loving aspect of Islam faith. In an interview he gave in 2012, he spoke about growing intolerance, if not going into long discussion about politics. After this, he stopped fancying Bollywood and the feeling was mutual. There were time when he had to clarify that he is alive when rumours of his death spread far and wide. His presence had been long forgotten. It's an irony that he had to be remembered that he was alive when he actually died. Bollywood truly lost a gem in his death.
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Speaker rules out discussion on Guv''s conduct amid K''taka Assembly standoff
Bengaluru (PTI): In an effort to end the logjam over the Governor's address that has stalled proceedings for the past week, Karnataka Assembly Speaker U T Khader on Wednesday ruled that legislators should not discuss Thaawarchand Gehlot or his conduct in the house, saying such debates send the wrong message to the public.
The House has witnessed repeated disruptions and adjournments since the session began on January 22 over the issue of the governor's conduct.
During his address to the joint sitting of the Karnataka legislature on January 22, Gehlot read out only three sentences from the 122-paragraph speech prepared by the state government.
The speech included criticism of the Centre for replacing the Mahatma Gandhi National Rural Employment Guarantee Act (MGNREGA) with the Viksit Bharat–Guarantee for Rozgar and Ajivika Mission (Gramin) (VB-G RAM G), portions of which the governor declined to read.
Concluding his address in about two minutes, the governor left the house, triggering a commotion as Congress legislators attempted to gherao him and raised slogans.
While the opposition BJP accused the ruling Congress and its ministers of "insulting" the governor and demanded action, the treasury benches countered by claiming the governor had "insulted the National Anthem by leaving before it was played."
The house again witnessed heated arguments on the issue earlier in the day, leading to adjournment.
During the interruption, Khader held a meeting with ministers and opposition members to resolve the impasse.
When proceedings resumed, the speaker delivered his ruling.
Referring to the events of January 22 and the subsequent debate, Khader said the conduct and discussions had conveyed the wrong message to the public.
"Our conduct as members of this House and the opinions expressed must be in good taste and in accordance with constitutional provisions. They must uphold the dignity of the House and its members. We must introspect in this direction," he said.
He stressed the need for caution to ensure that such incidents are not repeated in the future.
"Let us end this matter here, continue the discussion on the motion of thanks to the governor, and refrain from discussing the governor or his conduct in this house," the speaker said.
Leader of the Opposition R Ashoka said the house should express regret over what he termed an "insult" to the governor.
Responding, Chief Minister Siddaramaiah said the situation would not have arisen had the governor read out the entire address.
"Asking the house to express regret is not appropriate. Why did the governor leave even before the National Anthem was played," Siddaramaiah asked.
BJP MLA S Suresh Kumar reminded Siddaramaiah that as Leader of the Opposition in 2011, he had asked then Governor Hansraj Bhardwaj to curtail his address.
Bhardwaj had subsequently placed the address on the table of the house, requesting members to treat it as read.
Siddaramaiah said the situation in January 2011 was different from the present one.
The debate grew intense, leading to another adjournment of the house.
