'Raid': A powerful film on combating corruption (Film Review)
By Subhash K Jha
Film: "Raid"; Starring: Ajay Devgan, Saurabh Shukla; Director: Raj Kumar Gupta; Rating: **** (4 stars)
Just when you think the Bollywood thriller is running out of steam there comes "Raid", a film so taut and clenched, so caustic and brimming with political sarcasm that you wonder where was director Raj Kumar Gupta hiding himself for so many years?
So yes he made "Ghanchakkar". We all make mistakes, okay? Not that I minded Gupta's unexpected swing into zany comedy. But smartly-spun, tautly-narrated political thrillers are his forte. "Aamir" and "No One Killed Jessica" had proved it. "Raid" proves it again.
So welcome back, Mr Gupta. Here's your deal. An honest-to-goodness income tax officer, played with incorruptible smoothness by Ajay Devgn, who gives away nothing (at least, nothing that we can see on his face) is pitched against a burly swarmy corrupt seedy politician in the hotbed of Lucknow's politics.
What happens when Amay Patnaik (Devgn) takes on Rameshwar Singh (Saurabh Shukla) on the latter's home turf? Strongly imbued in the spirit of social reform, the Idealistic Bureaucrat as revisited in this film, is a bit of an anomaly. Devgn's Amay fights that very system which has created him. Idealistic heroes tend to come across as single-minded implacable determined bullies. Devgan is all of this. It is remarkable how willingly he lets Saurabh Shukla chew up every scene in which they're together.
Editor Bodhaditya Banerjee slicesA across the large canvas of characters to capture people in their most anxious moments. It's a narrative of tremendous tension and nervous anxieties but never surrendering to a frenzied cutting-away of the material to play on the urgency of the moment.
It's done in the spirit of a pre-determined moral battle, a raider's Ramayan so to speak, that the plot so doggedly takes on in the pursuit of a Good versus Bad morality tale where the winner often appears to be a loser because he is so one-note in his determined idealism.
Saurabh Shukla has all the fun. And Devgan lets him. It is this spirit of passive resistance that the narrative so virilely assumes that makes "Raid" a riveting watch. The more Devgan's goodness shines down on the plot, the more Shukla's decadent corruption showers its reeking beneficence down on the plot that ironically gets its sustenance not from Devgan's Rama-like heroism but Shukla's Ravan-esqe rhetorics.
While Devgan and his raiders of the lost assets pool their talents to create a moribund army of wealth retrievers, the film's fuel surcharge comes from the heated exchanges between the bureaucratic hero and the political renegade. The two actors play against one other with brilliant brio.
The supporting cast is largely credible and sometimes remarkably engaging (Shukla's antiquated yet alert mother is a howl). But Ileana D'Cruz brought in for the sake of romantic glamour sticks out like a sore thumb with her patently Lakhnavi chikan-attired performance. Not her fault, though. What can she do when the plot is almost uniformly focused on its frenetic fight against wealth stealth with loads of savage humour and unexpected pauses to consider what makes corruption such a thriving industry in our country.
By the time the raid on Rajaji's ill-gotten wealth is over, the director has made a darkly humorous telling point on what it takes to call a dishonest politician dishonest.
Your job, perhaps. But hell, someone has to do the dirty job before another Jessica is killed randomly by a wealthy wayward reveler in a bar. Don't miss "Raid". One of its many pleasures is to watch the two principal actors in full control of their characters, even as the director guiding their exchanges, stands back to let the plot grow hot without burning itself out.
It takes a lot of will-power to stand back and let the corrupt steal the thunder from the incorruptible. "Raid" tells us virtuosity may be boring. But it is still a rare bird worth capturing in the palm of your hand.
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Karnataka approves railway barricades in Madikeri, Nagarhole to curb human-elephant conflict
Bengaluru (PTI): Karnataka Forest Minister Eshwar Khandre on Tuesday said a 7-km railway barricade has been approved for the Madikeri division and 20 km for the Nagarhole division in 2025–26 to curb human-elephant conflict in the regions.
Responding to a proposal raised by BJP MLC Suja Kushalappa during Zero Hour in the Legislative Council, he assured that work on the proposed railway barricades would begin soon.
Citing the death of a 17-year-old girl in an elephant attack on February 28 and that of a tribal woman on March 9 in the state, the minister said these deaths caused by elephant attacks were "extremely painful".
"Human life is very precious and cannot be valued in monetary terms. The Forest Department is taking all measures to prevent human-wildlife conflict."
The minister further said steps such as maintenance of elephant-proof trenches and solar-powered fencing were being undertaken, while two elephant task forces were currently in operation.
Orders have also been issued by the Chief Wildlife Warden to capture two rogue elephants.
In both cases, Rs 5 lakh compensation has already been disbursed to the families of the deceased, and the remaining Rs 15 lakh each will be provided within a week, he added.
Khandre said the government was making sincere efforts to find a permanent solution to the human–elephant conflict.
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