Odense (Denmark), Oct 20: India's Saina Nehwal and Kidambi Srikanth stormed into the semifinals of the Denmark Open with hard-fought victories over Nozomi Okuhara and Sameer Verma respectively.
Saina, ranked 10th, recovered after the losing the first game to beat familiar foe and world number seven Okuhara of Japan 17-21, 21-16, 21-12 in the quarterfinal lasting 58 minutes on Friday night.
The final point of the match was a long rally which ended with the Japanese finding the net. It was a morale boosting for the Indian star, having lost her previous three meetings to Okuhara including the most recent one in Korea last month.
Saina had also lost to the 2017 World Champion during the team event at the Asian Games in August.
Overall, their head-to-head record stands at 7-4 in the Indian's favour. Saina next faces world number 19 Gregoria Mariska Tunjung of Indonesia.
Fellow Indian Srikanth too had to dig deep against countryman Verma with little separating the two in an intense men's singles quarterfinal.
In the end, world number six Srikanth prevailed over the 23-ranked Indian in an epic battle lasting an hour and 18 minutes with the final scoreline reading 22-20, 19-21, 23-21.
The two Indians had not played each prior the quarterfinal and their first meeting turned out to be a slugfest. Verma was leading for the major part of the third and deciding game where he even had a 17-13 lead before Srikanth scripted a remarkable fightback to scrape through.
Srikanth plays second seed and world number one Kento Momota of Japan in the semifinal to be held later on Saturday. The formidable Japanese enjoys an 8-3 career record over Srikanth and has not lost to the Indian in their last five meetings.
In the women's doubles, Ashwini Ponnappa and N Sikki Reddy's spirited campaign came to an end with a loss to top seeds, Yuki Fukushima and Sayaka Hirota, in the quarterfinals.
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Mumbai (PTI): Filmmaker Vipul Shah says he felt compelled to make a sequel to "The Kerala Story", his controversial 2023 movie about religious conversion, as he wanted to expose a "much larger evil" that extends beyond Kerala and across the country.
The sequel, titled “The Kerala Story 2: Goes Beyond”, hit theatres last week amid a huge controversy. The film depicts the stories of three Hindu women from different states who defy their families to marry Muslim men and are subsequently forced to convert.
Shah, who has co-written the film and produced it through the banner Sunshine Pictures, said there was no pre-planned franchise strategy after the first film, which earned over Rs 300 crore at the box office and won two National Awards.
“There was no plan to make even ‘Kerala Story 2’. But after ‘Kerala Story 1’, we started getting lots of stories, I realised that there is a much larger evil persisting not just in Kerala but across the country and we’ve to tell this story because it is much bigger and different than what happened in ‘Kerala Story 1’ and that's why we decided to make part 2.
"It was not like a marketing gimmick that, ‘Let's make part two, it's a good brand, let's take it forward’. No, nothing like that,” Shah told PTI in an interview.
While the first part, which was also based on the religious conversion and radicalisation of young women, was directed by Sudipto Sen, the follow-up is helmed by Kamakhya Narayan Singh.
Asked if there will be a third part of the franchise, Shah said there are no concrete plans yet.
“But if there are compelling stories coming our way, some new facts will come to light, maybe we will want to tell that story. But as of today, there is no plan,” he added.
While the creative process of making the sequel was “intense and passionate”, the release has been anything but smooth.
After its trailer was released online, the movie was labelled as hate propaganda by many on social media and in political circles.
Last week, a single bench of the Kerala High Court stayed the film’s release for 15 days. Shah subsequently moved a division bench in appeal, which set aside the earlier order, clearing the way for the movie’s release.
"We all knew the release would be a very big challenge. We had to go through a lot of scrutiny, first on social media, then through court. What's upsetting is that in this noise, the real subject which you reach out to people sometimes gets clouded. You don't want that, you want people to understand the reality of the subject. And look at it from a point of view that there are so many girls whose lives are getting lost.”
With the sequel now running in theatres, Shah claimed that theatre owners in Kerala and Tamil Nadu have been receiving threats to pull the movie.
In Kerala, activists of the Democratic Youth Federation of India (DYFI) staged protests outside theatres screening the film, saying they would not allow its screening as it allegedly depicts the state in a bad light.
“It is very disturbing news, some people are threatening the theatre owners in Kerala and Tamil Nadu... they are violating court orders by threatening theatre owners to stop showing the film.
"It is a violation of my right, it is a violation of the order of the court. I would urge both the governments and the chief ministers to take stringent action. Even if they don't agree with the film, it's fine, but that doesn't mean that they will not protect my right,” the producer added.
Though Shah has been making hard-hitting titles like “The Kerala Story” and “Bastar”, he said he has not abandoned commercial cinema.
He recently wrapped “Governor”, starring Manoj Bajpayee, and is gearing up for “Hisaab” with actor wife Shefali Shah and Jaideep Ahlawat.
“Since I made ‘Bastar’ and ‘Kerala Story’, people started thinking that I’ve decided that I will only make this kind of film. It is not true though. I’ll be making all kinds of films. That is what makes me creatively happy and I’m going to continue to do that,” said the producer, who has directed mainstream films like “Aankhen”, “Namastey London”, “Waqt” and “London Dreams”.
Shah said "Hisaab” is about a bank robbery, and he is looking to release it theatrically in June-July.
“I always wanted to make a unique bank robbery. It is unique, funny, and intelligent, just like ‘Aankhen’, which had three blind guys robbing bank. But this is extraordinary, far more believable, real and something like this has never been made in India,” the producer said.
