Noida: India TV editor-in-chief Rajat Sharma has drawn sharp criticism on social media following remarks he made on air attributing Delhi’s air pollution partly to its geographical location and the Aravalli hill range.

Speaking during a recent episode of his prime-time show Aaj Ki Baat, Sharma said Delhi’s geography plays a major role in trapping polluted air.

“Geographical location is the main reason. Delhi is a big city and its shape is like a bowl, surrounded by the Aravalli hills on three sides. As a result, polluted air gets trapped and cannot disperse easily. Therefore, the problem of pollution in Delhi cannot be solved in one year or in any particular season,” he said.

His comments came amid a severe deterioration in air quality in the national capital. On Sunday morning, December 21, Delhi woke up to a thick blanket of toxic smog, sharply reducing visibility and causing widespread discomfort. The overall Air Quality Index (AQI) stood at 390 around 7 a.m., placing it in the ‘very poor’ category, according to data from the Central Pollution Control Board (CPCB).

Dense fog and smog also disrupted flight operations at Delhi’s Indira Gandhi International Airport (IGIA). As many as 110 flights were cancelled, while over 370 flights were delayed due to poor visibility. Of the cancelled services, 59 were arriving flights and 51 were departures. Flight-tracking website Flightradar24 showed that departing flights faced an average delay of around 26 minutes.

Netizens troll Sharma

One user wrote on X, “Rajat Sharma is saying due to the Aravalli hills, there is air pollution in Delhi. He is defending mining and destroying the Aravalli hills like this. How can these people call themselves journalists?”

Another user accused him of political hypocrisy, comparing his earlier criticism of the Delhi government with his current remarks, and wrote, “In 2023 he blamed Arvind Kejriwal for Delhi air pollution. In 2025, he is blaming the Aravalli hills because BJP is in power. Hypocrisy = 100%, Journalism = 00%.”

Others termed the comments an example of the “godi media” narrative, alleging that geography was being blamed instead of governance, industrial emissions, vehicular pollution, construction dust, and stubble burning. “When they fail to question power or policy, they conveniently shift the blame to nature,” another post read.

“Friends, what can one even say about today’s godi media? According to them, the reason for Delhi’s pollution is that the Aravalli hills surround the city from three sides, trapping polluted air inside. Seriously? So now Sudhir Chaudhary and Rajat Sharma want us to believe that nature itself is to blame? When they fail to question power or policy, they conveniently shift the blame to geography. Apparently, it’s not years of environmental destruction or administrative failure—it’s the Aravalli hills! Does this explanation make any sense at all?,” wrote another.

What is the Aravali issue?

The controversy arises over the Union government’s revised definition of what constitutes the Aravalli hills.

The decision has drawn protests involving environmental activists across Haryana, Rajasthan, and parts of the Delhi-NCR region, who have raised concerns that the new definition could weaken protection for one of the world’s oldest mountain ranges.

Under the revised definition, an “Aravalli hill” is described as any landform in designated Aravalli districts with an elevation of 100 metres or more above local relief, while an “Aravalli range” is defined as a cluster of two or more such hills within 500 metres of each other. Activists fear this could open the door for mining, construction, and commercial activities in previously protected areas.

Environmentalists argue that the Aravalli range serves as a natural barrier against desertification, dust storms, and pollution, and plays a vital role in maintaining ecological balance in the Delhi-NCR region.

They have demanded that the entire Aravalli range be declared a fully protected area with strict conservation measures.

Meanwhile, Union Environment Minister Bhupender Yadav has stated that the new definition, accepted by the Supreme Court based on a Centre-led panel’s recommendations, would not result in any relaxation of mining norms in the Aravalli region.

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Mumbai (PTI): Bollywood star Ranbir Kapoor's first look as Lord Rama from producer Namit Malhotra's "Ramayana", one of the most ambitious cinematic events in the history of Indian cinema, was unveiled on Thursday.

The makers released a two-minute-38-second teaser titled 'Rama' on the occasion of Hanuman Jayanti, offering audiences their first glimpse into Lord Rama's world, from the battlefields to the grand palaces and dense forests, with Kapoor donning royal robes adorned with heavy gold jewellery as the king and warrior of Ayodhya.

Directed by Nitesh Tiwari, best known for "Dangal" and "Chhichhore", the film has been seven years in the making.

"To reach till this moment, it has personally taken me seven years. Filmmaking is a speculative and lonely process. Every moment of these seven years, I've imagined this moment as to what the reaction would be when it comes out.

"Today, looking at your reaction, I feel the seven years are worth those seven years. A lot of people have worked on this film. We hope we get much love from you all," Tiwari said at a promotional event.

The filmmaker said he was aware of the audience's emotional attachment with “Ramayana” and added that the team has tried to be as “authentic” as possible.

“...You understand the sensitivity and attachment (for ‘Ramayana’), you keep those things in mind. We’ve taken care in portraying Lord Rama, it’s very authentic is what I feel,” the director said.

The film also features “KGF” star Yash as Ravana, Sai Pallavi as Goddess Sita, Sunny Deol as Lord Hanuman and Ravie Dubey as Lord Lakshman.

"Ramayana" is produced by Namit Malhotra's Prime Focus Studios and DNEG, in association with Yash's Monster Mind Creations.

A two-part live-action saga rooted in one of Indian mythology's most enduring epics, the film draws on the full might of DNEG, one of the world's leading visual effects studios, with eight Academy Awards for films including "Inception", "Interstellar", "Dune" and "Dune: Part Two".

Malhotra, who is the CEO of DNEG, described it as a “special moment”.

“We’ve made this (film) with a lot of love. Before you let it go, there’s a feeling of wanting to keep it, and we are like, ‘Are we ready to share it?’ Thanks to Nitesh and the team who have worked hard to put this labour of love.

"I’m proud of what we’ve put out. I hope you all have loved it. You don’t pick ‘Ramayana’, ‘Ramayana’ picks you,” said Malhotra.

He said the aim behind the movie is to introduce the story of the mythological epic and Lord Rama to the world.

“There are Indians all over the world. We should not be divisive that’s where we go wrong on ‘Ramayana’... It’s one world, one ‘Ramayana’ and one Rama. The idea is to show it to the entire world," he added.

The team had earlier held a grand event in Los Angeles that was attended by Malhotra, Tiwari and Kapoor.

Asked about the reason for holding an event in the US, Malhotra said, “The Indians in the America are thanking and appreciating, you need to understand the emotion of the Indian people over there.”

While post-production is underway for part one of “Ramayana”, Malhotra said filming for part two is already in progress, largely taking place indoors due to the heavy use of visual effects.

In a statement, Kapoor said the experience has been humbling.

"I don't think I'm here to represent Rama. I'm here to learn from him. There is a simplicity and purity to him that is very rare; and trying to understand and imbibe that has been a deeply humbling experience," the actor said.

The first part of “Ramayana” is slated to release worldwide in IMAX during Diwali 2026, with part two following in Diwali 2027.

The film’s crew includes renowned international artists, including Oscar-winning composers Hans Zimmer and A R Rahman, who are collaborating on the score.

The action sequences are choreographed by Hollywood stunt veterans Terry Notary and Guy Norris, and the film’s visual world is being shaped by production designers Ravi Bansal of “Dune: Part Two” fame and Ramsey Avery as “Captain America”.