London, Mar 30: A vividly illustrated painting depicting a historic victory of Mysore ruler Haider Ali and his son Tipu Sultan over the East India Company in 1780 went under the hammer in London on Wednesday for whopping 630,000 pounds.
The Battle of Pollilur', which took place on September 10, 1780 as part of the Second Anglo-Mysore War, was the centrepiece of the Arts of the Islamic World and India sale at Sotheby's auction house.
As a visual record of the battle and to commemorate his victory, Tipu Sultan had commissioned a painting of the Battle of Pollilur as part of a large mural for the newly-built Daria Daulat Bagh in Seringapatam in 1784.
What this painting has is the terror and anarchy and violence of battle. It's arguably the greatest Indian picture of the defeat of colonialism that survives. It's unique and fantastic artwork, said Sotheby's expert William Dalrymple, author of 'The Anarchy: The Relentless Rise of the East India Company'.
Tipu Sultan was probably the most effective opponent that the East India Company ever faced. Tipu showed that the Indians could fight back, that they could win the first time that a European army is defeated in India is this Battle of Pollilur, he explains.
According to the auction house, three existing copies of the original Pollilur painting are known three details in a miniature in the Baroda Museum, 24 preparatory paintings depicting sections of the series, and the complete panorama sold this week, comfortably beating its lowest guide price of 500,000 pounds.
The painting extends over 10 large sheets of paper, nearly 32 feetlong, and focuses in on the moment when the East India Company's ammunition tumbril explodes, breaking the British square, while Tipu's cavalry advances from left and right, like waves of an angry sea, according to Mughal historian Ghulam Husain Khan.
At Pollilur, Tipu Sultan known as the Tiger of Mysore inflicted on the East India Company what has become known as the most crushing defeat ever and the painting captures the sheer energy of that victory.
Another highlight at the auction was A gem-set and enamelled gold shield from 19th century Jaipur, which outperformed its guide price range of between 40,000 pounds and 60,000 pounds to go under the hammer for 258,300 pounds.
This magnificent shield must have been crafted to commemorate a particular event; several shields were presented to the Prince of Wales during his visit to India in 1875-76, all luxuriously enamelled and set with precious stone, Sotheby's said.
The colour scheme and the motifs in the roundels are comparable to contemporaneous Jaipur craftsmanship, it said.
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Bengaluru: Union Minister H. D. Kumaraswamy has alleged that the Karnataka government announced its decision on the hijab issue out of fear of the ‘Karnataka Muslim Convention’ scheduled to be held in Bengaluru on May 16 organized by Federation of Karnataka Muslim Organisations.
Addressing a press conference at the JD(S) state office, GP Bhavan, in Bengaluru on Thursday, Kumaraswamy said he respects all religions and has expressed his views on the issue on several public platforms in the past.
Questioning the timing of the government’s move, he said the Congress has been in power for three years and had taken no decision on the hijab issue during that period.
He alleged that the decision was taken only because the ‘Karnataka Muslim Convention’ is scheduled to be held at Town Hall in Bengaluru on May 16.
“If the government had the courage, it should have taken this decision immediately after coming to power. Why did it remain silent for three years?” he asked.
Kumaraswamy accused the Congress of making the announcement to appease a particular community.
He further said the matter is still pending before the courts and claimed that an interim order relating to the hijab issue remains in force.
According to him, issuing such an order before the legal proceedings are concluded amounts to disrespect towards the judiciary.
Kumaraswamy also alleged that the Congress brought the issue back into focus after the Davanagere by-election results.
