New Delhi: The Supreme Court on Monday refused to extend the security of former special judge S K Yadav who had pronounced the verdict in the Babri Masjid demolition case and acquitted all 32 accused, including BJP veterans L K Advani, M M Joshi, and Uma Bharti.
A bench, headed by Justice R F Nariman and also comprising Justices Navin Sinha and Krishna Murari, was considering the former judge's request to continue his personal security in view of the sensitivity of the case decided by him on his last day in office.
Having perused the letter, we don't consider it appropriate to provide security, the bench said.
On September 30, the special court had acquitted all 32 accused in the case saying there was no conclusive evidence that they were part of any conspiracy to bring down the disputed structure in Ayodhya.
The 16th-century mosque was demolished on December 6, 1992, by kar sevaks' who believed that it occupied the site where Lord Ram was born, the destruction triggering riots that left hundreds dead in the country and widening rifts between the communities.
Last year, a five-judge Constitution bench of the apex court had ruled that the 2.77-acre land claimed by both Hindus and Muslims would be handed over to a trust for the building of a temple.
The top court had also ordered the allocation of five-acre land at another site in Ayodhya for building a mosque.
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Bengaluru: Artificial Intelligence is slowly changing the way music and creativity are produced in the Kannada film industry, raising concerns among musicians, singers and technicians, The New Indian Express reported on Sunday.
Music composer, actor and director V Manohar reportedly said, AI is being used to write lyrics, especially in low-budget movies. Once lyrics are generated, AI can suggest thousands of tunes. It even asks whether the voice should be male or female. With one click, a complete song is ready.
“If this continues, singers and musicians will have less or no work in the coming days. But it may not succeed either. A few years ago, dubbing was allowed and people could watch movies in any language they preferred. But not many took to it as they wanted to watch a movie in the original,” TNIE quoted him as saying.
According to the report, Filmmaker Avinash U Shetty, a National Award winner, said resistance to new technology is not new. Those who resisted shifting from analogue to digital films years ago have now embraced it. The industry is now using only 10% of the AI potential. If it is scaled up, it can do unimaginable things. What we consider bad now, may not be after five years.
Highlighting the cost advantage, Sangamesh, an independent creator reportedly said, he made a three-minute video using AI for just Rs 4,500. Earlier, the same work would have cost nearly Rs 15 lakh. I finished the entire project in three days. The only expense was the AI software subscription, he said.
These days, it has become difficult to differentiate between the real and AI. AI is creating artistes. Scenes like war, big fights and dance can be shot with a lesser number of artistes. Then with the aid of visual effects and AI, you can achieve what you have in mind, he said.
Actor-director D P Raghuram felt that while AI has made an impact on music, it lacks emotional depth. Cinema earlier involved hard work and strong emotional connections. AI can help improve our work, but creativity should remain human, he reportedly said.
As per the report, earlier, Kannada cinema employed hundreds of junior artistes, who not only earned wages but also shared meals on sets and formed lasting bonds with stars like Dr Rajkumar, Vishnuvardhan and Ambareesh. Today, filmmakers fear that increasing dependence on AI could reduce such human connections, turning creativity into just another automated process.
