New Delhi: Already in the soup for not being the potent opposition party in the Centre, India’s grand old party Indian National Congress is once again landed itself into a crisis that can well be touted as the signs of dissent from its youth party cadre.
Over three weeks after the polling for Indian Youth Congress in Karnataka were held, the party is yet to announce the results of the election, moving a directionless wind of dissent in the party’s youth quarters. Party workers and leaders have expressed their dissatisfaction over the delays in results which were to be declared on January 20, but the party has only postponed the announcement of results ever since.
The entire election process was spread over seven long months that kept the party’s youth busy in the election preps without letting them do any productive party work during the course. The grand old party has always pitched itself as the one that introduced IT to the country but is struggling internally to announce the results of its own youth wings results even after three weeks from the polling dates.
One of the major points of arguments in the party circles regarding the issue is also the use of an electronic voting system that was used for the election, while the party at large has been critical about the EVMs during national and state elections.
Some party workers who wished not to be named told Vartha Bharati, that the party cadre and especially those who have contested the election and are aspiring posts in the IYC also believe the use of ballot paper voting system could’ve been better as it provides transparency over the results as against to the rumors that have indicated post-election manipulation of results in EVMs and electronic voting systems.
The party’s election results’ authenticity received a major setback when the party withdrew block-level results, two days after announcing it. It has raised questions over the authenticity of the results. The party however has to answer as to why the results were withdrawn in the first place. Were there errors in the election results?
Users across social media platforms also questioned if the move to withdraw the already declared results was in accordance with the dissatisfaction of leaders of the party who were unhappy with the outcome of the election.
Efforts to get a comment from IYC National President Srinivas BV in this regard were unsuccessful. The story will be updated as and when we get an official statement from Srinivas.
Amidst all this, the Congress is leaving itself high and dry without any external interference, with people now questioning that if the party cannot be transparent, just, and accountable to its own youth cadre, how will it deal with the expectations, hopes, and trust of the people of the country if they win the General or State elections in the future.
The rumors flying thick and fast make it look like it’s a conspiracy to hurt the KPCC president DK Shivakumar who is leading the party in the next elections. He needs a strong youth leader by his side to face the elections. This internal groupism by some vested interests within the party will only end up damaging the party.
With the BJP simplifying its membership and election process, Congress with its outdated and questionable tactics is only widening the gap between itself and the grassroots level workers. A person can join BJP by merely giving a missed call on a number, while the Congress has an astringent and complicated process in place for anybody who wills to join them. The complicated process has so far only kept the youngsters from joining the party against a simplified process of merely having to dial a number.
The onus is now on the INC to come to its own rescue before it’s too late to come back from where it is sliding to. It will not be too far away when the party’s election process, authenticity, and the party itself at large will become a laughing stock.
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London (PTI): Bollywood stars Shah Rukh Khan and Kajol huddled under an umbrella on a rainy Thursday in London to unveil their bronze likeness from an iconic ‘Dilwale Dulhania Le Jayenge’ scene.
The sculpture of the duo joins Leicester Square’s ‘Scenes in the Square’ trail depicting memorable shots from some of the world’s most famous films, with ‘DDLJ’ marking a Bollywood first and the 30th anniversary of the 1995 box-office hit. It is in this popular London square that SRK as Raj and Kajol as Simran first cross paths unknowingly.
“DDLJ was made with a pure heart. We wanted to tell a story about love, how it can bridge barriers and how the world would be a better place if it had a lot of love in it, and I think this is why 'DDLJ' has had a lasting impact for over 30 years now," said Khan.
“Personally, 'DDLJ' is part of my identity, and it is humbling to see film, and Kajol and me, receiving so much love since it was released,” he said.
He expressed his gratitude to the Heart of London Business Alliance, behind the cinematic trail at Leicester Square, for celebrating ‘DDLJ’ and “immortalising” its lead stars.
“Seeing ‘DDLJ’ become the first Indian film to be honoured in the iconic Scenes in the Square trail is an emotional moment and has brought back so many memories.
"I feel immense pride knowing the film has been embraced around the world, and I want to share this moment with the entire cast and crew of ‘DDLJ’, my friend and director Aditya Chopra and the Yash Raj Films family. This is a moment I will never forget,” added Khan.
Kajol, joined by her daughter Nysa and son Yug, posed with Khan in front of the statue as she braved the rain in a green saree.
“It’s incredible to see ‘Dilwale Dulhania Le Jayenge’ continue to receive so much love, even 30 years later. Watching the statue being unveiled in London felt like reliving a piece of our history - a story that has truly travelled across generations,” said Kajol.
“Seeing it find its rightful place in Leicester Square, a location of such enormous significance to ‘DDLJ’, makes this moment even more special. For the film to be honoured in this way in the UK – the first Indian film to receive such recognition – is something that will forever stay in the hearts and minds of all the ‘DDLJ’ fans across the world,” she said.
Their statue, captured in a dancing pose from the hit song ‘Mehndi Laga Ke Rakhna’, joins the likes of Harry Potter, Bridget Jones, Mary Poppins, and Batman in what is dubbed as an ever-growing celebration of movie magic in a square packed with multiplex cinema screens.
“When ‘Dilwale Dulhania Le Jayenge’, DDLJ, was released 30 years ago, the film became a defining moment for Indian cinema and changed the face of the industry, capturing the hearts of everyone who saw it all over the globe," said Akshaye Widhani, CEO of Yash Raj Films.
“We’re thrilled to be the first Indian film to be represented in ‘Scenes in the Square’. It also marks 30 years of DDLJ, a film that has spread love and joy globally, and shows the cultural impact it has had in UK.
“We are honoured that our superstars and our film are being recognised on the world stage alongside the Hollywood elite, from Gene Kelly to Laurel & Hardy to Harry Potter. This statue will be a great way to express the international appeal of Indian movies and build bridges amongst communities through cinema,” he said.
Since its release in 1995, ‘DDLJ’ has become the longest-running film in Hindi cinema history.
Ros Morgan, Chief Executive at Heart of London Business Alliance, said: “We’re proud to welcome global megastars Shah Rukh Khan and Kajol to our Scenes in the Square trail.
"Dilwale Dulhania Le Jayenge is a cinematic phenomenon that has shaped generations, and London’s first tribute to Indian cinema honours a story whose magic continues to captivate audiences worldwide.”
It is a particularly special year for the film, with a musical based on the romance playing to packed houses at Manchester’s Opera House earlier this year. Aditya Chopra reprised his role as director of the English language stage production, ‘Come Fall In Love – The DDLJ Musical’, which revolved around the love story of Simran and Roger.
The script was a nod to the original as it followed Simran as a young British Indian woman who finds herself engaged to a family friend in India in an arranged marriage. However, the plot thickens when she falls in love with a British man named Roger.
