Exhibition captures poetic forms in day-to-day objects
New Delhi, May 13: An old family radio, a typewriter, a cane chair, old mugs and several other humble items of day-to-day use are the inspiration behind an ongoing exhibition at the Lalit Kala Akademi here.
Titled "Yesterday Once More", the exhibition presents works of young artist Jasleena Singh, who has always had a love for the realist elements of objects around her. The display kicked off on May 11 and will remain open for public viewing till May 17.
Singh's show is a three part compositional set of realist works that celebrate all things old. The lantern series, the tea series and the retro series have all been presented as little studies of still life and socio cultural lifestyles that go back to deeper reflections.
"My work is about objects used in our day to day lives, which are now rarely used or just lying rusted in a corner," Singh said.
"This body of work is fuelled with old school styling and day-to-day used instruments. I believe life is about cherishing our history and reminiscing the past. These works include my very own personal take on art with joy and pastel shades of the retro era.
"Ranging from literal interpretations to metaphorical synthesis, these paintings incorporate dreams, emotions and expressions that influence my work. This old worldly charm is the essence of my work, and I create humble still life studies through these elements of daily use," she added.
This debut includes Singh's very own personal take on art with joy and pastel shades of the retro era. Ranging from literal interpretations to metaphorical synthesis, these paintings incorporate dreams, emotions and expressions that influence her work.
Through this body of work, the artist claimed, she is trying to portray the rich legacy and cultural history of the bygone era, while showing the displacement and migration, which was brought to independence after a huge long struggle.
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Screenwriter Salim Khan on ventilator support and stable, say doctors
Mumbai (PTI): Veteran screenwriter Salim Khan suffered a brain haemorrhage which has been tackled, is on ventilator support as a safeguard and stable, doctors treating him said on Wednesday, a day after he was admitted to the Lilavati Hospital here.
The 90-year-old, one half of the celebrated Salim-Javed duo which scripted films such as "Sholay", "Deewar" and "Don" with Javed Akhtar, is in the ICU and recovery might take some time given his age.
"His blood pressure was high for which we treated him and we had to put him on a ventilator because we wanted to do certain investigations. Now the ventilator was put as a safeguard so that his situation doesn't get worse. So it is not that he is critical," Dr Jalil Parkar told reporters.
"We did the investigations that were required and today we have done a small procedure on him, I will not go into the details. The procedure done is called DSA (digital subtraction angiography). The procedure has been accomplished, he is fine and stable and shifted back to ICU. By tomorrow, we hope to get him off the ventilator. All in all, he is doing quite well," he added.
Asked whether he suffered a brain haemorrhage, the doctor said, "Unko thoda haemorrhage hua tha, which we’ve tackled. No surgery is required.
As concern over Khan's health mounted, his children, including superstar Salman Khan and Arbaaz Khan, daughter Alvira, and sons-in-law Atul Agnihotri and Aayush Sharma, have been seen outside the hospital along with other well-wishers. His long-time partner Akhtar was also seen coming out of the hospital.
Khan, a household name in the 70s and 80s, turned 90 on November 24 last year. It was the day Dharmendra, the star of many of his films, including "Sholay", "Seeta aur Geeta" and "Yaadon Ki Baraat", passed away.
Hailing from an affluent family in Indore, Khan arrived in Mumbai in his 20s with dreams of stardom. He was good looking and confident he would make a mark in the industry as an actor. But that did not happen. And then, after struggling for close to a decade and getting confined to small roles in films, he changed lanes.
He worked as an assistant to Abrar Alvi and soon met Akhtar to form one of Hindi cinema's most formidable writing partnerships. They worked together on two dozen movies with most of them achieving blockbuster status.
Other than "Sholay", "Deewar" and "Don", Khan and Akhtar also penned "Trishul", "Zanjeer", "Seeta Aur Geeta", "Haathi Mere Saathi", "Yaadon Ki Baarat" and "Mr India".
