Perth (PTI): Mesmerised by the way Virat Kohli floored arch-rivals Pakistan in their T20 World Cup opener, Australian legend Greg Chappell rated the former skipper as the "most complete Indian batsman" of his time.

In a fitting response to his doubters, who had raised questions about his spot in the format, Kohli slammed an unbeaten 82 to snatch victory from the jaws of defeat against Pakistan on Sunday.

Describing the innings as a "song by God", the 74-year-old said: "None of the greats of bygone eras could have dismembered of an opponent so brutally without compromising the niceties of the art of batting than Kohli did last Sunday night."

"Kohli is the most complete Indian batsman of my time. Only the greatest of champions has the courage and the intelligence to transport their imagination beyond the mortal plane. Kohli has that. Perhaps only Tiger Pataudi has come close to transcending a similar stratosphere," Chappell wrote in a column for 'The Sydney Morning Herald'.

"Kohli played an innings that was as close to a 'song by god' as has ever been played in T20 cricket. Like a cat playing with a new skein of wool, Kohli teased then expertly picked apart an excellent Pakistan bowling attack until it lay unravelled, spent and exposed on the green carpet of the MCG."

Legitimised T20 cricket

Chappell further said that Kohli's innings against Pakistan "legitimised" T20 cricket.

"It was an innings that showcased the art of batting like no other that I have seen in a lifetime of watching cricket.

"Ironically, it was also the innings that legitimised T20 cricket as, dare I say it, an art form, more than any that I have seen in the past 15 years. Nobody can dismiss T20 cricket as simply entertainment ever again," said the former India coach.

Chappell said only World Cup-winning Australia wicketkeeper-batter Adam Gilchrist could have come close to Kohli in terms of sheer strokeplay.

"I can think of many of the best hitters in the modern game who could have pulled off a similar victory, and probably have, but none has ever done it with pure batting skills in the manner that Kohli did against Pakistan," he said.

"Only Adam Gilchrist has come close in the past, but this was even more esoteric than some of his most sublime efforts. It was simply impossible to look away."

That the knock came from the strongest and most vocal supporter of Test cricket made Chappell all the more ecstatic.

"It gave me immense pleasure as it was played by one of the staunchest supporters and exponents of Test cricket of the past 145 years.

"This was the day that T20 cricket came to maturity, and the nail biting game was played between two of the younger nations of the long form of the game in front of 90,000 rapturous fans, most of whom were thousands of miles from the land of their birth," Chappell wrote.

It was not very long ago there was a raging debate over Kohli's selection in India's T20 World Cup squad as he was going through the worst phase of his career after a controversial end to his captaincy from all three formats of the game.

Kohli also decided to take a month-long break to deal with 'mental' issues and returned with a bang in the Asia Cup, where he slammed his first international century in three years, and a maiden one in the shortest format, against Afghanistan.

He continued his form in the home series against Australia in the build-up to the T20 World Cup.

"We have known for some time that Kohli is in a rare class, but this was done against the backdrop of a pretty lean run during the last few years by his lofty standards," Chappell wrote.

"Not many are going to have to go through it in the glare Virat has. Everyone has had an opinion; most of it has been centred on his eyes and/or his technique as having waned in some way. As someone who has been down that track, I was pretty sure this wasn't the case.

"It is likely the best T20 innings of his career, and it may also be one of the most satisfying in any format. He looked completely at home. He was in his element."

Would have made Shane Warne proud

The innings came at Shane Warne's home ground as 90,000-plus fans cheered every bit of it and Chappell felt had he been alive, the spin wizard would have been proud of the knock.

Warned died of heart attack in March this year.

"Shane Warne would be proud to have his name emblazoned on the most imposing stand at the stadium, presiding over the proceedings on the fateful evening.

"It was most certainly the coming-of-age of cricket's new crown jewels. Kohli willed himself to get his team over the line, and demanded that anyone who loved the game of cricket stay and watch the spectacle until the end," Chappell said.

The match had its share of controversies in the last over when a six by Kohli was adjudged no-ball for height and there were some debatable byes as well.

"It is much like NZ being punished for accidental overthrows from the opponents bat which cost them the 50-over World Cup Final at The Oval in 2019," Chappell said.

"India, most likely would have won anyway, but it wouldn't have been the foregone conclusion that it became.

"I would review that rule to give the bowler credit for the dead ball if he is good enough to beat the bat and hit the stumps," Chappell concluded.

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Kochi (PTI): The prosecution had "miserably" failed to prove the conspiracy charge against Dileep in the sensational 2017 actress sexual assault case, a local court has observed while citing inconsistencies and lack of sufficient evidence against the Malayalam star.

The full judgement of Ernakulam District and Principal Sessions Court Judge Honey M Varghese was released late on Friday, and has revealed the judge also pointing out at unsustainable arguments put forth by the prosecution.

"The prosecution miserably failed to prove the conspiracy between accused No.1 (Pulsar Suni) and accused No.8 (Dileep) in executing the offence against the victim," the court held.

It examined in detail, the prosecution's allegation that Dileep had hired the prime accused to sexually assault the survivor and record visuals, including close-up footage of a gold ring she was wearing, to establish her identity.

On page 1130 of the judgment, under paragraph 703, the court framed the issue as whether the prosecution's contention that NS Sunil (Pulsar Suni) recorded visuals of the gold ring worn by the victim at the time of the occurrence, so as to clearly disclose her identity, was sustainable.

The prosecution contended Dileep and Suni had planned the recording so that the actress' identity would be unmistakable, with the video of the gold ring intended to convince Dileep that the visuals were genuine.

However, the court noted that this contention was not stated in the first charge sheet and was introduced only in the second one.

As part of this claim, a gold ring was seized after the victim produced it before the police.

The court observed that multiple statements of the victim were recorded from February 18, 2017, following the incident, and that she first raised allegations against Dileep only on June 3, 2017.

Even on that day, nothing was mentioned about filming of the ring as claimed by the prosecution, the court said.

The prosecution failed to explain why the victim did not disclose this fact at the earliest available opportunities.

It further noted that although the victim had viewed the sexual assault visuals twice, she did not mention any specific recording of the gold ring on those occasions, which remained unexplained.

The court also examined the approvers' statements.

One approver told the magistrate that Dileep had instructed Pulsar Suni to record the victim's wedding ring.

The court observed that no such wedding ring was available with her at that time.

During the trial, the approver changed his version, the court said.

The Special Public Prosecutor put a leading question to the approver on whether Dileep had instructed the recording of the ring, after which he deposed that the instruction was to record it to prove the victim's identity.

The court observed that the approver changed his account to corroborate the victim's evidence.

When the same question was put to another approver, he repeated the claim during the trial but admitted he had never stated this fact before the investigating officer.

The court noted that the second approver even went to the extent of claiming Dileep had instructed the execution of the crime as the victim's engagement was over.

This showed that the evidence of the second approver regarding the shooting of the ring was untrue, as her engagement had taken place after the crime.

The court further observed that the visuals themselves clearly revealed the victim's identity and that there was no need to capture images of the ring to establish identity.

In paragraph 887, the court examined the alleged motive behind the crime and noted that in the first charge sheet, the prosecution had claimed that accused persons 1 to 6 had kidnapped the victim with the common intention of capturing nude visuals to extort money by threatening to circulate them and there was no mention about Dileep's role in it.

The court also rejected the prosecution's claim that the accused had been planning the assault on Dileep's instructions since 2013, noting that the allegation was not supported by reliable evidence.

It similarly ruled out the claim that Suni attempted to sexually assault the victim in Goa in January 2017, stating that witness statements showed no such misconduct when he served as the driver of the vehicle used by the actress there.

The court also discussed various controversies that followed Dileep's arrest and the evidence relied upon by the prosecution, ultimately finding that the case had not been proved.

Pronouning its verdict on the sensational case on December 8, the court acquitted Dileep and three others.

Later, the court sentenced six accused, including the prime accused Suni, to 20 years' rigorous imprisonment.

The assault on the multilingual actress, after the accused allegedly forced their way into her car and held it under their control for two hours on February 17, 2017, had shocked Kerala.

Pulsar Suni sexually assaulted the actress and video recorded the act with the help of the other convicted persons in the moving car.