The sacrifice of more than 700 farmers has finally borne fruit. The Neo-British Corporation has succumbed to the farmers’ agitation that reminded the nation of the freedom struggle. Prime Minister Narendra Modi who not only announced that the three agricultural laws would be withdrawn has also apologized to the country for his failure to assess the farmers’ interests correctly. Even though it appears that the decision was taken with an eye on the elections, the victory of the farmers can be seen beyond this.
In a way, the government’s plight was similar to that of a monkey whose tail is stuck in the gap of the log. It has now rescued itself at the last minute even if it is on the pretext of elections. If the Supreme Court were to strike down the laws, it would not only have been a loss of face to the government but the government would have had to permanently face farmers’ opposition. Taking all this into consideration, the Prime Minister had to withdraw the farm laws. This is neither his gift nor alms. It is an instance of farmers reclaiming their rights by forcing the government to go down on its knees through a year-long sustained agitation in which more than 700 farmers lost their lives. The Prime Minister’s responsibility does not end with the withdrawal of the laws. He owes an answer to the nation about the sacrifice of the farmers. He owes an apology to the nation for his ministers calling farmers ‘terrorists’ or ‘khalistanis.’ The Prime Minister himself had insulted the farmers by berating them as andolanajivis (congenital agitators). Now by apologizing to the same farmers, the Prime Minister has subjected himself to ridicule.
Truth be told, the farmers agitation has not ended, it has only just started as the Prime Minister, along with the announcement to repeal the laws, has indicated that “I will modify the laws and come before you.” It is clear that his apology to the country is not for handing over the rights of the farmers to corporate forces but for his failure to cheat farmers through promulgation of the laws. “We failed to educate the farmers about the advantages of the laws. For this, we are seeking an apology”, is the actual meaning. Modi has also stated that we should move forward anew. This means that his attempt to impose the laws in a new form and in a new way would continue. By treating the farmers with contempt and in an insulting manner, the government has now realized the true strength and might of the farmers. Therefore, it will surely attempt to bring back the laws using other means and impose them on the farmers.
The Centre can try to use the state governments to achieve what it could not. Already, Karnataka has modified and implemented the Lad Reforms Act and the APMC Act. Unless it withdraws these, farmers cannot achieve total victory. Farmers should therefore not put a full stop to their agitations but prepare themselves to face the anti-farmers laws that the Centre is trying to impose through state governments. The farmers agitations unified people more effectively than the manner in which the anti-CAA protests unified the country breaking down barriers of caste and religion. If the farmers had not come together and unified themselves keeping aside caste and religion, the same farmers would have been divided and riots would have been triggered in North India. As riots are BJP’s electoral capital, RSS leaders feared that farmers protests would lead to farmers coming together by setting aside all differences. These farmers on the streets would have become a huge challenge at the time of elections in Uttar Pradesh and the seething rage of farmers that could have exploded during elections. Only when the government understood that the farmers would not leave the streets till the farm laws were repealed, the government came forward to withdraw them. Therefore, this is not a decision taken as part of election appeasement. The government got scared at the strength of the farmers and took the decision.
The farmers have shown the country that if the people are alert, it is possible to face and win over a government however arrogant those in power may be. When the government tried to distract the people by raking up Ram Mandir and Kashmir issues and started implementing anti-farm laws, Punjab farmers were the first to become alert and voice their opposition. No emotional tactics worked. Ironically, when farmers hit the streets for their rights, educated people and those who called themselves journalists joined hands with the government. But these democratic protests have shown that all forces had to eventually give in to the demands of the people. Now is the time to extend these protests to other sectors as well. The farmers protests should inspire people to fight against the government that is trying to sell the entire country to the corporate sector in phases. The New East India Company is before us wearing saffron garb and tilak. The enemy is wearing ‘our dress.’ By identifying these impersonators, the time has come for us to usher in the second freedom struggle and safeguard the sovereignty of the nation.
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London (PTI): Bollywood stars Shah Rukh Khan and Kajol huddled under an umbrella on a rainy Thursday in London to unveil their bronze likeness from an iconic ‘Dilwale Dulhania Le Jayenge’ scene.
The sculpture of the duo joins Leicester Square’s ‘Scenes in the Square’ trail depicting memorable shots from some of the world’s most famous films, with ‘DDLJ’ marking a Bollywood first and the 30th anniversary of the 1995 box-office hit. It is in this popular London square that SRK as Raj and Kajol as Simran first cross paths unknowingly.
“DDLJ was made with a pure heart. We wanted to tell a story about love, how it can bridge barriers and how the world would be a better place if it had a lot of love in it, and I think this is why 'DDLJ' has had a lasting impact for over 30 years now," said Khan.
“Personally, 'DDLJ' is part of my identity, and it is humbling to see film, and Kajol and me, receiving so much love since it was released,” he said.
He expressed his gratitude to the Heart of London Business Alliance, behind the cinematic trail at Leicester Square, for celebrating ‘DDLJ’ and “immortalising” its lead stars.
“Seeing ‘DDLJ’ become the first Indian film to be honoured in the iconic Scenes in the Square trail is an emotional moment and has brought back so many memories.
"I feel immense pride knowing the film has been embraced around the world, and I want to share this moment with the entire cast and crew of ‘DDLJ’, my friend and director Aditya Chopra and the Yash Raj Films family. This is a moment I will never forget,” added Khan.
Kajol, joined by her daughter Nysa and son Yug, posed with Khan in front of the statue as she braved the rain in a green saree.
“It’s incredible to see ‘Dilwale Dulhania Le Jayenge’ continue to receive so much love, even 30 years later. Watching the statue being unveiled in London felt like reliving a piece of our history - a story that has truly travelled across generations,” said Kajol.
“Seeing it find its rightful place in Leicester Square, a location of such enormous significance to ‘DDLJ’, makes this moment even more special. For the film to be honoured in this way in the UK – the first Indian film to receive such recognition – is something that will forever stay in the hearts and minds of all the ‘DDLJ’ fans across the world,” she said.
Their statue, captured in a dancing pose from the hit song ‘Mehndi Laga Ke Rakhna’, joins the likes of Harry Potter, Bridget Jones, Mary Poppins, and Batman in what is dubbed as an ever-growing celebration of movie magic in a square packed with multiplex cinema screens.
“When ‘Dilwale Dulhania Le Jayenge’, DDLJ, was released 30 years ago, the film became a defining moment for Indian cinema and changed the face of the industry, capturing the hearts of everyone who saw it all over the globe," said Akshaye Widhani, CEO of Yash Raj Films.
“We’re thrilled to be the first Indian film to be represented in ‘Scenes in the Square’. It also marks 30 years of DDLJ, a film that has spread love and joy globally, and shows the cultural impact it has had in UK.
“We are honoured that our superstars and our film are being recognised on the world stage alongside the Hollywood elite, from Gene Kelly to Laurel & Hardy to Harry Potter. This statue will be a great way to express the international appeal of Indian movies and build bridges amongst communities through cinema,” he said.
Since its release in 1995, ‘DDLJ’ has become the longest-running film in Hindi cinema history.
Ros Morgan, Chief Executive at Heart of London Business Alliance, said: “We’re proud to welcome global megastars Shah Rukh Khan and Kajol to our Scenes in the Square trail.
"Dilwale Dulhania Le Jayenge is a cinematic phenomenon that has shaped generations, and London’s first tribute to Indian cinema honours a story whose magic continues to captivate audiences worldwide.”
It is a particularly special year for the film, with a musical based on the romance playing to packed houses at Manchester’s Opera House earlier this year. Aditya Chopra reprised his role as director of the English language stage production, ‘Come Fall In Love – The DDLJ Musical’, which revolved around the love story of Simran and Roger.
The script was a nod to the original as it followed Simran as a young British Indian woman who finds herself engaged to a family friend in India in an arranged marriage. However, the plot thickens when she falls in love with a British man named Roger.
