Iconic French New Wave director Jean-Luc Godard passes away at 91
Geneva, Sep 13: Jean-Luc Godard, the ingenious enfant terrible of the French New Wave who revolutionised popular cinema in 1960 with his debut feature Breathless and stood for years as one of the world's most vital and provocative directors has passed away. He was 91.
Swiss news agency ATS quoted Godard's partner, Anne-Marie Mieville, and her producers as saying he died peacefully and surrounded by his loved ones at his home in the Swiss town of Rolle, on Lake Geneva, on Tuesday.
French President Emmanuel Macron paid tribute to Godard as the most iconoclastic of the New Wave directors who invented a resolutely modern, intensely free art form.
He added, We have lost a national treasure, the eye of a genius.
Godard defied convention over a long career that began in the 1950s as a film critic. He rewrote rules for camera, sound and narrative.
His films propelled Jean-Paul Belmondo to stardom and his controversial modern nativity play Hail Mary grabbed headlines when Pope John Paul II denounced it in 1985.
But Godard also made a string of films, often politically charged and experimental, which pleased few outside a small circle of fans and frustrated many critics through their purported overblown intellectualism.
Cannes Film Festival Director Thierry Fremaux told The Associated Press on Tuesday that he was sad. Immensely so" at the news of Godard's death.
Born into a wealthy French-Swiss family on December 3, 1930 in Paris, Godard grew up in Nyon, Switzerland, studied ethnology at the Sorbonne in France's capital, where he was increasingly drawn to the cultural scene that flourished in the Latin Quarter cine-club after World War II.
He became friends with future big-name directors Francois Truffaut, Jacques Rivette and Eric Rohmer and in 1950 founded the short-lived Gazette du Cinema. By 1952 he had begun writing for the prestigious movie magazine Cahiers du Cinema.
After working on two films by Rivette and Rohmer in 1951, Godard tried to direct his first movie while travelling through North and South America with his father, but never finished it.
Back in Europe, he took a job in Switzerland as a construction worker on a dam project. He used the pay to finance his first complete film, the 1954 Operation Concrete, a 20-minute documentary about the building of the dam.
Returning to Paris, Godard worked as spokesman for an artists' agency and made his first feature in 1957 All Boys Are Called Patrick, released in 1959 and continued to hone his writing.
He also began work on Breathless, based on a story by Truffaut. It was to be Godard's first big success when it was released in March 1960.
The movie stars Belmondo as a penniless young thief who models himself on Hollywood movie gangsters and who, after he shoots a police officer, goes on the run to Italy with his American girlfriend, played by Jean Seeberg.
Like Truffaut's "The 400 Blows", released in 1959, Godard's film set the new tone for French movie aesthetics. Godard rejected conventional narrative style and instead used frequent jump-cuts that mingled philosophical discussions with action scenes.
He spiced it all up with references to Hollywood gangster movies, and nods to literature and visual art.
Godard also launched what was to be a career-long participation in collective film projects, contributing scenes to The Seven Deadly Sins along with directors such as Claude Chabrol and Roger Vadim. He also worked with Ugo Gregoretti, Pier Paolo Pasolini and Roberto Rossellini on the Italian movie Let's Have a Brainwash, with Godard's scenes portraying a disturbing post-apocalypse world.
Godard, who was later to gain a reputation for his uncompromising left-wing political views, had a brush with French authorities in 1960 when he made The Little Soldier. The movie, filled with references to France's colonial war in Algeria, was not released until 1963, a year after the conflict ended.
His work turned more starkly political by the late 1960s. In Week End, his characters lampoon the hypocrisy of bourgeois society even as they demonstrate the comic futility of violent class war. It came out a year before popular anger at the establishment shook France, culminating in the iconic but short-lived student unrests of May 1968.
Godard harboured a life-long sympathy for various forms of socialism depicted in films ranging from the early 1970s to early 1990s. In December 2007 he was honored by the European Film Academy with a lifetime achievement award.
Godard took potshots at Hollywood over the years.
He remained home in Switzerland rather than travel to Hollywood to receive an honorary Oscar at a private ceremony in November 2010 alongside film historian and preservationist Kevin Brownlow, director-producer Francis Ford Coppola and actor Eli Wallach.
His lifelong advocacy of the Palestinian cause also brought him repeated accusations of anti-semitism, despite his insistence that he sympathized with the Jewish people and their plight in Nazi-occupied Europe.
In 2010, Godard released Film Socialisme, a film in three chapters first shown at the Cannes Film Festival.
Godard married Danish-born model and actress Anna Karina in 1961. They divorced in 1965.
Godard married his second wife, Anne Wiazemsky, in 1967. He later started a relationship with Swiss filmmaker Anne-Marie Mi ville. Godard divorced Wiazemsky in 1979, after he had moved in with Mi ville to the Swiss municipality of Rolle, where he lived with her for the rest of his life.
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Only allegation-free individuals to handle Hajj pilgrims: Delhi High Court
New Delhi: In a recent ruling, the Delhi High Court stated that individuals with no allegations of deceit should be entrusted with the responsibility of handling pilgrims keeping in mind the sanctity of Hajj.
Justice Subramonium Prasad highlighted the provision in the Haj Policy, granting the Central Government authority to bar Hajj Group Organizers (HGOs) against whom complaints of misconduct have been lodged, particularly concerning their dealings with pilgrims.
The court's stance came in response to a plea filed by Al Islam Tour Corporation challenging the Centre's decision to blacklist it for ten years, starting from Hajj 2021. This decision followed a complaint from a Hajj pilgrim, accusing the corporation of defrauding him in 2013 by accepting Rs. 13 lakhs for pilgrimage expenses but failing to refund the money upon cancellation.
Dismissing the plea, the court noted that the petitioner wasn't registered as an HGO for Hajj 2018 and thus shouldn't have been involved in any Hajj-related activities without proper registration.
The court underscored the significance of the Hajj pilgrimage for many Indians, often being a once-in-a-lifetime journey for the less privileged who may spend their entire savings on it.
Furthermore, the court said that while the majority of Indian pilgrims obtain permission from the Hajj Committee, some experienced private tour operators are also authorised to facilitate the pilgrimage.
Considering the objectives of the Hajj Policy and the seriousness of the complaint against the petitioner, the court deemed the imposed penalty justified and saw no need for modification.
