New Delhi, Mar 27 (PTI): Globally acclaimed Hindi film "Santosh", Britain's official entry at the Oscars and one of the most talked about titles last year, may not make it to Indian theatres following hurdles in its censor certification.

Though there was no official comment from the Central Board of Film Certification (CBFC), a member termed it "a classic case of gross disagreement" between the producers and the board.

"They are unrelenting. They want zero modifications, and CBFC wants the modifications. They went to the revising committee for the second time, made more modifications, and lost their January release date... there has to be a middle ground," the member told PTI on condition of anonymity.

"Santosh", directed by British Indian filmmaker Sandhya Suri, known for documentaries such as "I For India" and "Around India with a Movie Camera",

is a police procedural thriller set in north India. The film, starring Shahana Goswami and Sunita Rajwar, was initially set for an India release on January 10.

A co-production between United Kingdom, Germany and France, it revolves around a widow who gets her late husband's job of a police constable. She and her senior inspector are soon sucked into a high profile investigation into the rape and murder of a Dalit teenager.

"Santosh" premiered in the Un Certain Regard category at the Cannes Film Festival in May last year. In India, it was showcased at the Mumbai MAMI film festival and the Dharamshala International Film Festival.

It was named UK's official Oscar entry last year but failed to make it to the final five. The film's distribution in India is being handled by PVR Inox Pictures.

In an interview with The Guardian newspaper, Suri said the censor board in India demanded radical cuts so lengthy and wide-ranging that they would be impossible to implement. She said the list of cuts included several pages and including concerns about themes relating to police conduct.

“It was very important to me that the film is released in India so I did try to figure out if there was a way to make it work,” said Suri.

“But in the end it was just too difficult to make those cuts and have a film that still made sense, let alone stayed true to its vision,” she told the newspaper.

Goswami, who plays the lead role in the movie, said she never thought it would run into a problem.

"It is disheartening... The changes are not something that we feel comfortable to make because it would alter the film. I think that's just a decision that's got made by elimination... it's nobody's desire to not have the film come out here. But at this point, that's kind of where it stands. I do feel sad about it," Goswami told PTI.

"Santosh", she said, does not target any particular person or a group but presents the reality of society.

"There's no reason why this film should create any difficulty," she said.

CBFC member, filmmaker Vivek Agnihotri, has come out in support of the movie.

"I don’t know about the cut list. I’m against banning any kind of creative work. My films have been cancelled," the director, known for controversial movies such "The Tashkent Files" and "The Kashmir Files", told PTI.

He said "Santosh" is a highly-acclaimed film and he is looking forward to watching it.

"It is a British entry to Oscar. I’ve no idea why it has been censored. It should be released in India. I’m not aware of the technicalities (of this film). We should be welcoming these films. CBFC has no mandate to ban anything; they are not a law-making authority, but they can make suggestions," Agnihotri added.

In an earlier interview with PTI, Suri had said the film's release in India is of "supreme importance" to her.

"It just ended up that I made a film on the Indian police. Actually, it is a very accessible film and the actors are so great. I had an amazing run in the cinemas in France. I did not make this film for viewers only outside of India... There are things which an Indian audience will definitely pick up that others might not," she said in October last year.

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London (PTI): Bollywood stars Shah Rukh Khan and Kajol huddled under an umbrella on a rainy Thursday in London to unveil their bronze likeness from an iconic ‘Dilwale Dulhania Le Jayenge’ scene.

The sculpture of the duo joins Leicester Square’s ‘Scenes in the Square’ trail depicting memorable shots from some of the world’s most famous films, with ‘DDLJ’ marking a Bollywood first and the 30th anniversary of the 1995 box-office hit. It is in this popular London square that SRK as Raj and Kajol as Simran first cross paths unknowingly.

“DDLJ was made with a pure heart. We wanted to tell a story about love, how it can bridge barriers and how the world would be a better place if it had a lot of love in it, and I think this is why 'DDLJ' has had a lasting impact for over 30 years now," said Khan.

“Personally, 'DDLJ' is part of my identity, and it is humbling to see film, and Kajol and me, receiving so much love since it was released,” he said.

He expressed his gratitude to the Heart of London Business Alliance, behind the cinematic trail at Leicester Square, for celebrating ‘DDLJ’ and “immortalising” its lead stars.

“Seeing ‘DDLJ’ become the first Indian film to be honoured in the iconic Scenes in the Square trail is an emotional moment and has brought back so many memories.

"I feel immense pride knowing the film has been embraced around the world, and I want to share this moment with the entire cast and crew of ‘DDLJ’, my friend and director Aditya Chopra and the Yash Raj Films family. This is a moment I will never forget,” added Khan.

Kajol, joined by her daughter Nysa and son Yug, posed with Khan in front of the statue as she braved the rain in a green saree.

“It’s incredible to see ‘Dilwale Dulhania Le Jayenge’ continue to receive so much love, even 30 years later. Watching the statue being unveiled in London felt like reliving a piece of our history - a story that has truly travelled across generations,” said Kajol.

“Seeing it find its rightful place in Leicester Square, a location of such enormous significance to ‘DDLJ’, makes this moment even more special. For the film to be honoured in this way in the UK – the first Indian film to receive such recognition – is something that will forever stay in the hearts and minds of all the ‘DDLJ’ fans across the world,” she said.

Their statue, captured in a dancing pose from the hit song ‘Mehndi Laga Ke Rakhna’, joins the likes of Harry Potter, Bridget Jones, Mary Poppins, and Batman in what is dubbed as an ever-growing celebration of movie magic in a square packed with multiplex cinema screens.

“When ‘Dilwale Dulhania Le Jayenge’, DDLJ, was released 30 years ago, the film became a defining moment for Indian cinema and changed the face of the industry, capturing the hearts of everyone who saw it all over the globe," said Akshaye Widhani, CEO of Yash Raj Films.

“We’re thrilled to be the first Indian film to be represented in ‘Scenes in the Square’. It also marks 30 years of DDLJ, a film that has spread love and joy globally, and shows the cultural impact it has had in UK.

“We are honoured that our superstars and our film are being recognised on the world stage alongside the Hollywood elite, from Gene Kelly to Laurel & Hardy to Harry Potter. This statue will be a great way to express the international appeal of Indian movies and build bridges amongst communities through cinema,” he said.

Since its release in 1995, ‘DDLJ’ has become the longest-running film in Hindi cinema history.

Ros Morgan, Chief Executive at Heart of London Business Alliance, said: “We’re proud to welcome global megastars Shah Rukh Khan and Kajol to our Scenes in the Square trail.

"Dilwale Dulhania Le Jayenge is a cinematic phenomenon that has shaped generations, and London’s first tribute to Indian cinema honours a story whose magic continues to captivate audiences worldwide.”

It is a particularly special year for the film, with a musical based on the romance playing to packed houses at Manchester’s Opera House earlier this year. Aditya Chopra reprised his role as director of the English language stage production, ‘Come Fall In Love – The DDLJ Musical’, which revolved around the love story of Simran and Roger.

The script was a nod to the original as it followed Simran as a young British Indian woman who finds herself engaged to a family friend in India in an arranged marriage. However, the plot thickens when she falls in love with a British man named Roger.