‘In Memoriam’: The Poet’s Guide to Grief and a Must-Read for All Those Who’ve Loved and Lost
Krupaharini M
Loss, suffering, and death tallies entered the everyday vocabulary of COVID news and dinner table conversations. In this desensitized world, Mafazah Sharafuddin’s ‘In Memoriam’, with a poem by the same name as its headliner, comes as an enclave that wombs each of us to share the burden of these dark times. The poet is an enthusiastic final-year student of Journalism, Psychology, and English.
With a staggering span of forty poems, this anthology published by The Alcove Publishers has a genealogy that sets it apart from the plethora of books being published every minute. What makes this anthology one-of-its-kind is that Mafazah’s experimental artwork, and not just poetry, is scattered across its pages. This artwork has traveled a long way to the pages of the anthology, from the ink of her pen onto the cursor of her computer.
Candied words and ornamental language would not grasp the authenticity of emotions explored by this poet. The poetry and art in this anthology is grotesque, in-your-face, shocking, and helplessly black-and-white, just as the pandemic has been. Her works have the air of critically acclaimed composition, making ‘In Memoriam’ an archive of groundbreaking originality.
This visual entry into her world-building is a sought-after experience after the success of her first anthology, ‘Labyrinth of Emotions’, which she got published at the age of sixteen.
The poet shed any illusions of normalcy at the threshold to compile this book. To explore the erratic waves of emotions and paper cuts of the pandemic, the poet and artiste embrace the abnormal and break patterns of language and art. After all, would rule-obeying, syntactical art or poetry do justice to the perils of the pandemic generation? So, as the poet eloquently puts it, “The world falls apart, and all I can do is tell its story”. This anthology, then, is as much our stories, as it is hers.
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Crossing river, trekking hill voters reach polling booths to cast vote in Surguja LS constituency
Balrampur/Chhattisgarh (PTI): Enthusiastic voters reached polling booths trekking steep hilly paths, crossing a river and even on a horse to cast their votes in remote areas of the tribal-dominated Balrampur district in Chhattisgarh on Tuesday, officials said.
Balrampur district falls under the Surguja Lok Sabha constituency which was among seven seats where polling was held in third and last phase of Lok Sabha elections in the state. The Surguja Lok Sabha recorded 74.59 per cent voting, as per the Turnout application.
Voters, belonging to Pahadi Korva, a particularly vulnerable tribal group, including Rajesh, Madan, Sukhu, Gopal and Nandlal, crossed a river to exercise their franchise at a polling booth in village panchayat Amera under the Samri assembly constituency, a government official said.
Similarly, electors, including Lakhan Nagesia, Sahu, Phulsai and Kalesh of Bachwar village under the Ramanujganj assembly constituency walked through hilly terrain for about two hours covering 8 kms to reach a polling booth and cast their vote, he said. A voter, Parimal Dey, reached a polling booth in Sagarpur village under the Ramanujganj assembly seat on a horse, the official said. Dey is a cattle rearer who owns 150 goats.
Two hyper sensitive polling booths -- Chunchuna and Pundag -- located in a Naxal-affected area of the district which shares border with Jharkhand, also recorded significant turnout, he said. The two booths are located in the Samri assembly constituency.
"Special security arrangements were put in place in this area to ensure peaceful voting. Voters of Chunchuna and Pudang ensured their participation in the great festival of democracy braving Naxalite threat," he said. The Chunchuna polling booth has 767 voters and it recorded 84.35 per cent turnout, while Pundag has 595 electors and it registered a turnout of 72.44 per cent till 5 pm, the official added.
